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David Foster Wallace

"You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal."

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"You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal."

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Amber Hurdle

"You would be amazed by how I can torture the English language. I am an abusive lover."

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Amber Hurdle

"The future is created by those who have a great imagination and the will to make it a reality by their actions."

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Amber Hurdle

"Develop your own skills and styles. In music, designing, electronics, etc., you may have a peculiar way of exposing your dreams in an uncommon way."

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Amber Hurdle

"A creative mind is a spark of divinity."

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Amber Hurdle

"Flawed genius is better than flawless talent."

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Amber Hurdle

"People have many cruel expectations from writers. People expect novelists to live on a hill with three kids and a spouse, people expect children's story writers to never have sex, and people expect all great poets to be dead. And these are all very difficult expectations to fulfill, I think."

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Amber Hurdle

"I write to fill my mind with the ecstasy of life."

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Amber Hurdle

"If imagination is your wealth, then ideas are your abode."

Explore more quotes by David Foster Wallace

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David Foster Wallace
"The reader becomes God, for all textual purposes. I see your eyes glazing over, so I'll hush."
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David Foster Wallace
"It can become an exercise in trying to get the reader to like and admire you instead of an exercise in creative art."
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David Foster Wallace
"The key is the ability, whether innate or conditioned, to find the other side of the rote, the picayune, the meaningless, the repetitive, the pointlessly complex. To be, in a word, unborable. If you are immune to boredom, there is literally nothing you cannot accomplish."
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David Foster Wallace
"It is also lonely on a level that cannot be conveyed ... If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell."
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David Foster Wallace
"Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly."
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David Foster Wallace
"The other half is to dramatize the fact that we still "are" human beings, now. Or can be."
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David Foster Wallace
"Bliss-a-second-by-second joy and gratitude at the gift of being alive, conscious-lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like you've never known will wash over you and just about kill you. Ride these out, and it's like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom."
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David Foster Wallace
"The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do?"
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David Foster Wallace
"He could do the dextral pain the same way: Abiding. Here was a second right here: he endured it. What was undealable-with was the thought of all the instants all lined up and stretching ahead, glittering. And the projected future fear. ... It's too much to think about. To Abide there. But none of it's as of now real. ... He could just hunker down in the space between each heartbeat and make each heartbeat a wall and live in there. Not let his head look over. What's unendurable is what his own head could make of it all. ... But he could choose not to listen."
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David Foster Wallace
"Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years."
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