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"It's easier to bleed than sweat, Mr. Motes."
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"Sometimes, God's silence is a challenge for us to act."

"Let me just tell you how thrilling it really is, and how, what a challenge it is, because in 1988 the question is whether we're going forward to tomorrow or whether we're going to go past to the - to the back!"

"Not knowing it was hard, knowing it was harder."

"There is no greater challenge than to have someone relying upon you; no greater satisfaction than to vindicate his expectation."

"I realized I really liked the screen. I knew it was a challenge, but I wasn't afraid of risk."

"Do I hear a challenge? she whispers, 'Oh, Carlos. You know I can't resist a challenge."

"I think the biggest challenge for Somalia has been the sense that it is a hopeless case of incomprehensible internal conflicts and there is nothing we can do."
Explore more quotes by Flannery O'Connor

"Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look."

"Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay."

"I don't really think the standard of judgment, the missing link, you spoke of that you find in my stories emerges from any religion but Christianity, because it concerns specifically Christ and the Incarnation, the fact that there has been a unique intervention in history. It's not a matter in these stories of Do Unto Others. That can be found in any ethical cultural series. It is the fact of the Word made flesh."

"The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it."

"I preach there are all kinds of truth, your truth and somebody else's. But behind all of them there is only one truth and that is that there's no truth."

"The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole."

"It makes a great difference to the look of a novel whether its author believes that the world came late into being and continues to come by a creative act of God, or whether he believes that the world and ourselves are the product of a cosmic accident. It makes a great difference to his novel whether he believes that we are created in God's image, or whether he believes we create God in our own. It makes a great difference whether he believes that our wills are free, or bound like those of the other animals."

"Art requires a delicate adjustment of the outer and inner worlds in such a way that, without changing their nature, they can be seen through each other."

"What one has as a born Catholic is something given and accepted before it is experienced. I am only slowly coming to experience things that I have all along accepted. I suppose the fullest writing comes from what has been accepted and experienced both and that I have just not got that far yet all the time. Conviction without experience makes for harshness."
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