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Peter Wright

"Painting is seen as picture making, the making of an art object, something that can stand on its own."

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"Painting is seen as picture making, the making of an art object, something that can stand on its own."

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Amber Hurdle

"Movies can be instruments of enlightenment."

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Amber Hurdle

"Realizing this, I knew that the actual space of a room could be broken down and played with by planting illusions of real light (electric light) at crucial junctures in the room's composition."

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Amber Hurdle

"Height, width, and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space."

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Amber Hurdle

"The goal of art was the vital expression of self."

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Amber Hurdle

"The mediator of the inexpressible is the work of art."

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Amber Hurdle

"Spent the fortnight gone in the music room reworking my year's fragments into a 'sextet for overlapping soloists': piano, clarinet, 'cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor; in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan't know until it's finished, and by then it'll be too late."

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Amber Hurdle

"When whisperedwhat an exquisitesong, it makes-your name."

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Amber Hurdle

"A scene should be selected by the writer for haunted-ness-of-mind interest. If you're not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you're not interested or even involved."

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Amber Hurdle

"It would have to be connected with performance art somehow, either in the front of the house or the back. I was myopic about this from fourth grade on."

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Amber Hurdle

"It all has to do with art - writing, painting, things I've done for a long time but just never had enough time to pursue. I have poetry - things that are designed for songs, but they're always poems first."

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Peter Wright
"You could always go on changing things but there comes a time when you have to decide to stop."
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Peter Wright
"When I look at some of my old work, the pieces I find most interesting are the ones with people in them."
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Peter Wright
"I have never subscribed to the Dirty Pallet school of painting."
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Peter Wright
"I have to experiment with methods and I'm trying to find an authentic way of making an equivalent of the living, breathing person within the limits of a single picture."
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Peter Wright
"As a kid I quite fancied the romantic, Bohemian idea of being an artist. I expect I thought I could escape from the difficulties of maths and spelling. Maybe I thought I would avoid the judgement of the establishment."
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Peter Wright
"I never know what it's going to look like. Wouldn't be much point in painting if I already knew the outcome. I have a subject in front of me and I start flooding colour and making marks, I don't know, it's improvisation isn't it?"
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Peter Wright
"I've had to do all kinds of jobs to pay the rent. I've even worked in a Cornish tin mine."
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Peter Wright
"I had been living with dialysis for three years or so, and the new kidney felt like a reprieve, a new gift of life. I felt alive again and I guess that has had an effect on my use of colour."
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Peter Wright
"I think most people see drawing as subservient to the subject, a sort of meditation, a studying, a searching observation, in my case, for its own sake."
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Peter Wright
"I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not."
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