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"It was a challenge to be able to create a character without being able to use one's normal set of expressions. All the rubber and makeup attached to your face left you with only a modest range of facial movements."
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"The psychoanalysis of neurotics has taught us to recognize the intimate connection between wetting the bed and the character trait of ambition."

"Always the wild child, conceived in flames, born of fire. Drawn to the forbidden, witch, warlock, burning stones. Her blood is made of moonlight; part dark, part light. Her heart, it's a sword; fiercely loyal and will fight to the death for those whom she loves. You can throw her in the fire, she always returns as a flame: the fervor is her anchor, her safe-haven... her blood."

"A sweet soul will take you further than a sweet tongue."

"To see a man's true colors, tell him you're saving yourself for marriage. To see a woman's true colors, tell her you're poor."

"An evil person will have evil friends. A righteous person will have righteous friends. The company you keep is hidden treasure or masked demise."

"Your name still rings a bell when you say something good, not by causing catastrophe in a bid to sound more interesting."

"Personal discipline is a most powerful character quality and one worthy of dedicating your life to nurturing."

"It might not be about perfection. Rather, it may be that that which is imperfect is that which has the most character."

"Inside of all the makeup and the character and makeup, it's you, and I think that's what the audience is really interested in... you, how you're going to cope with the situation, the obstacles, the troubles that the writer put in front of you."

"Pride achieves almost nothing but destroys a lot."
Explore more quotes by Helena Bonham Carter

"I also get fed up with the fact that casting agents and directors have this impression of me as being frail and petite. I find it very patronizing. I'm quite beefy and strong. I was a gymnast in school and I have lots of muscles."

"Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character."

"You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress."

"No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I've done very few of those. I've got a feeling it's going to change things for me."

"It took me so many years to move out. I'm definitely a bit of a Peter Pan, reluctant to grow up. It all seemed really nice at home-why change it? Part of me would prefer not to have any responsibility whatsoever."

"You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask."

"What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality."

"I think I've still got a bit of a sado-masochistic streak in me, because if I'm not going to be restricted by corsets and covered in lace, then I still wind up wearing an ape-mask over my face. I do wonder how I get myself in these situations!"

"I was like one of those nauseatingly nice children. I was very, very well behaved and boring."
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