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Arundhati Roy

"But what was there to say?Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief.Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."

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"But what was there to say?Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief.Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."

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Amber Hurdle

"She was the most beautiful thing I had ever seen, a tiny, bloody angel in the snow, and they were going to destroy her."

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Amber Hurdle

"Alone with everybody the flesh covers the bone and they put a mind in there and sometimes a soul,and the women break vases against the walls and them men drink too much and nobody finds the one but they keep looking crawling in and out of beds.flesh covers the bone and the flesh searches for more than flesh.there's no chance at all:we are all trapped by a singular fate.nobody ever finds the one.the city dumps fill the junkyards fill the mad houses fill the hospitals fill the graveyards fill nothing else fills."

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Amber Hurdle

"The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings."

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Amber Hurdle

"Often it is the most deserving people who cannot help loving those who destroy them."

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Amber Hurdle

"For never was a story of more woe than this of Juliet and her Romeo."

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Amber Hurdle

"There were sins whose fascination was more in the memory than in the doing of them, strange triumphs that gratified the pride more than the passions, and gave to the intellect a quickened sense of joy, greater than any joy they brought, or could ever bring, to the senses."

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Amber Hurdle

"Oh, the torment bred in the race, the grinding scream of deathand the stroke that hits the vein,the hemorrhage none can staunch, the grief,the curse no man can bear.But there is a cure in the house, and not outside it, no,not from others but from them,their bloody strife. We sing to you,dark gods beneath the earth.Now hear, you blissful powers underground - answer the call, send help.Bless the children, give them triumph now."

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Amber Hurdle

"Auschwitz is a place in which tragedy cannot occur."

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Amber Hurdle

"And then, on September 11, the world fractured.It's beyond my skill as a writer to capture that day and the days that would follow--the planes, like specters, vanishing into steel and glass; the slow-motion cascade of the towers crumbling into themselves; the ash-covered figures wandering the streets; the anguish and the fear. Nor do I pretend to understand the stark nihilism that drove the terrorists that day and that drives their brethren still. My powers of empathy, my ability to reach into another's heart, cannot penetrate the blank stares of those would murder innocents with abstract, serene satisfaction."

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Amber Hurdle

"The saddest of all tragedies - the wasted life."

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Arundhati Roy
"Something about Tilo's new home reminded Musa of the story of Mumtaz Afzal Malik, the young taxi driver whom Amrik Singh had killed, whose body had been recovered from a field and delivered to his family with earth in his clenched fists and mustard flowers growing through his fingers. That story had always stayed with Musa — perhaps because of the way hope and grief were woven together in it, so tightly, so inextricably."
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Arundhati Roy
"In the last photograph of her, the bullet wound looked like a cheerful summer rose arranged just above her left ear. A few petals had fallen on her kaffan, the white shroud she was wrapped in before she was laid to rest."
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Arundhati Roy
"Enemies can't break your spirit, only friends can."
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Arundhati Roy
"How can you measure progress if you don't know what it costs and who has paid for it? How can the "market" put a price on things - food, clothes, electricity, running water - when it doesn't take into account the REAL cost of production?"
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Arundhati Roy
"In India we're fighting to retain a wilderness that we have. Whereas in the west, it's gone. Every person that's walking down the street is a walking bar code. You can tell where their clothes are from, how much they cost, which designer made which shoe, which shop you bought each item from. Everything is civilized and tagged and valued and numbered and put in it's place. Whereas in India, the wilderness still exists-the unindoctrinated wilderness of the mind, full of untold secrets and wild imaginings."
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Arundhati Roy
"Ridges of muscle on his stomach rose under his skin like divisions on a slab of chocolate. He held her close by the light of an oil lamp, and he shone as though he had been polished with a high-wax body polish."
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Arundhati Roy
"There are things that can be forgotten. And things that cannot - that sit on dusty shelves like stuffed birds with baleful, sideways staring eyes."
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Arundhati Roy
"Socrates asked the key question: why should we be moral?"
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Arundhati Roy
"Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."
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Arundhati Roy
"The only dream worth having, I told her, is to dream that you will live while you're alive and die only when you're dead."
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