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Andrew Coyle Bradley

"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."

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"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."

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Donna Grant

"That is the eternal folly of man. To be chasing after the sweet flesh, without realizing that it is simply a pretty cover for the bones."

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Donna Grant

"If he had known unstructured space is a delugeand stocked his log house-boat with all the animals even the wolves, he might have floated. But obstinate hestated, The land is solid and stamped, watching his foot sink down through the stone up to his knee. From "Progressive insanities of a pioneer."

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Donna Grant

"The abbreviated exam week meant that Wednesday was the last day of school for us. And all day long, it was hard not to walk around, thinking about the lastness of it all."

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"One who in a perilous emergency thinks with his legs."

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Donna Grant

"Shall we their fond pageant see?Lord, what fools these mortals be!"

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Donna Grant

"Lord what fools these mortals be!"

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Donna Grant

"The obstinacy of cleverness and reason is nothing to the obstinacy of folly and inanity."

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Donna Grant

"The folly which we might have ourselves committed is the one which we are least ready to pardon in another."

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Donna Grant

"Dramatic uprising of stupidity can start from nowhere and only be seen when it reaches it's climax."

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Donna Grant

"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."

Explore more quotes by Andrew Coyle Bradley

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Andrew Coyle Bradley
"King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure."
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Andrew Coyle Bradley
"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."
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Andrew Coyle Bradley
"Job was the greatest of all the children of the east, and his afflictions were well-nigh more than he could bear; but even if we imagined them wearing him to death, that would not make his story tragic."
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Andrew Coyle Bradley
"Shakespeare very rarely makes the least attempt to surprise by his catastrophes. They are felt to be inevitable, though the precise way in which they will be brought about is not, of course, foreseen."
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Andrew Coyle Bradley
"Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge."
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Andrew Coyle Bradley
"In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect."
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Andrew Coyle Bradley
"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."
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Andrew Coyle Bradley
"Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact."
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Andrew Coyle Bradley
"But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections."
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Andrew Coyle Bradley
"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."
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