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"To read a novel is to wonder constantly, even at moments when we lose ourselves most deeply in the book: How much of this is fantasy, and how much is real?"
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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."

"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."

"The composition of Shakespeare is a forest, in which oaks extend in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelting to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity."

"Anon, who wrote so many poems without signing them, was often a woman."

"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"

"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."

"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."

"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."

"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."

"First of all, there was a volcano of words, an eruption of words that Shakespeare had never used before that had never been used in the English language before. It's astonishing. It pours out of him."
Explore more quotes by Orhan Pamuk

"I realized that the longing for art, like the longing for love, is a malady that blinds us, and makes us forget the things we already know, obscuring reality."

"I asked him about his enemies. He began to count them. The list went on and on...." - Conversations with Yahya Kemal."

"Perhaps one day someone from a distant land will listen to this story of mine. Isn't this what lies behind the desire to be inscribed in the pages of a book? Isn't it just for the sake of this delight that sultans and viziers proffer bags of gold to have their histories written?"

"In the cities of the European Franks, women roam about exposing not only their faces, but also their brightly shining hair (after their necks, their most attractive feature), their arms, their beautiful throats, and even, if what Ive heard is true, a portion of their gorgeous legs; as a result, the men of those cities walk about with great difficulty, embarrassed and in extreme pain, because, you see, their front sides are always erect and this fact naturally leads to the paralysis of their society. Undoubtedly, this is why each day the Frank infidel surrenders another fortress to us Ottomans."

"With the death of my father, it wasn't just the objects of everyday life that had changed; even the most ordinary street scenes had become irreplaceable mementos of a lost world whose every detail figured in the meaning of the whole."

"Sometimes I would see them not as mementos of the blissful hours but as the tangible precious debris of the storm raging in my soul."

"Any intelligent person knows that life is a beautiful thing and that the purpose of life is to be happy," said my father as he watched the three beauties. "But it seems only idiots are ever happy. How can we explain this?"
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