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Arundhati Roy

"Everyone thinks I live alone, but I don't. My characters all live with me."

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"Everyone thinks I live alone, but I don't. My characters all live with me."

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Amber Hurdle

"When the going gets weird, the weird turn professional."

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Amber Hurdle

"When I teach seminars, I tell people, 'Your stuff has to look like something that's out there, because otherwise nobody will take a chance on you.'"

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Amber Hurdle

"No writer can be the 'Master of the Words' without loving them! Loving is the way for Mastering! No Love, no Master!"

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Amber Hurdle

"You've got to make an effort to get the details right, because even through someone picks it up and knows it's a novel, they know someone's made it up and they know it's not real, if you make a small mistake they will cease to imaginatively engage with the story."

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Amber Hurdle

"I realised early on that being an author is a hugely misunderstood job."

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Amber Hurdle

"I decided to coin the term 'cosy crime noir' for Brighton Belle. That is 'cosy crime' for today's sensibilities because there is that slightly edgy element to it."

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Amber Hurdle

"Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today."

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Amber Hurdle

"You can't crush ideas by suppressing them. You can only crush them by ignoring them."

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Amber Hurdle

"We cannot build up the idea of the apostolate of the laity without the foundation of the liturgy."

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Amber Hurdle

"When I was young, my idea was to become a filmmaker."

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Arundhati Roy
"Something about Tilo's new home reminded Musa of the story of Mumtaz Afzal Malik, the young taxi driver whom Amrik Singh had killed, whose body had been recovered from a field and delivered to his family with earth in his clenched fists and mustard flowers growing through his fingers. That story had always stayed with Musa — perhaps because of the way hope and grief were woven together in it, so tightly, so inextricably."
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Arundhati Roy
"In the last photograph of her, the bullet wound looked like a cheerful summer rose arranged just above her left ear. A few petals had fallen on her kaffan, the white shroud she was wrapped in before she was laid to rest."
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Arundhati Roy
"Enemies can't break your spirit, only friends can."
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Arundhati Roy
"In India we're fighting to retain a wilderness that we have. Whereas in the west, it's gone. Every person that's walking down the street is a walking bar code. You can tell where their clothes are from, how much they cost, which designer made which shoe, which shop you bought each item from. Everything is civilized and tagged and valued and numbered and put in it's place. Whereas in India, the wilderness still exists-the unindoctrinated wilderness of the mind, full of untold secrets and wild imaginings."
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Arundhati Roy
"Ridges of muscle on his stomach rose under his skin like divisions on a slab of chocolate. He held her close by the light of an oil lamp, and he shone as though he had been polished with a high-wax body polish."
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Arundhati Roy
"There are things that can be forgotten. And things that cannot - that sit on dusty shelves like stuffed birds with baleful, sideways staring eyes."
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Arundhati Roy
"Socrates asked the key question: why should we be moral?"
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Arundhati Roy
"Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."
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Arundhati Roy
"The only dream worth having, I told her, is to dream that you will live while you're alive and die only when you're dead."
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Arundhati Roy
"The Occupy movement found places where people who were feeling that anger could come and share it - and that is, as we all know, extremely important in any political movement. The Occupy sites became a way you could gauge the levels of anger and discontent."
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