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"She laughed so easily when she was happy. But also when she was sad."
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"I was alone with myself. And disgusting as I was it was better than being with somebody else, anybody else, all of them out there doing their pitiful little tricks and handsprings."
"All the things that people do in order to show that they don't need anybody... meanwhile, all they really want to do is say, "Please keep me." We all want to be kept. The problem is we are too afraid to let anyone know about it. What are these fragile things in our hearts that have so much fear of being broken?"
"And then something invisible snapped insider her, and that which had come together commenced to fall apart."
"Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left.There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong."
"There's still a little girl inside every grown woman who would love to be able to fall into the arms of her mother and cry her eyes out every now and then."
"On the rebound one passes into tears and pathos. Maudlin tears. I almost prefer the moments of agony. These are at least clean and honest. But the bath of self-pity, the wallow, the loathsome sticky-sweet pleasure of indulging it--that disgusts me."
"A heart in love is a thriller book of many stories."
"She paused and unexpectedly stroked her fingers down the feathers of his neck.He froze. She couldn't know how intimate that seemed, or how sensitive he was to her touch even through the sleek covering of eagle feathers. Pleasure at being petted ran down his spine.He should say something or step away. He did neither. Instead, ever so slightly, he leaned into her touch.It was wrong of him, but his wrong button seemed to be broken, and he didn't care."
Explore more quotes by Janet Fitch
"I hadn't understood at the time. If sinners were so unhappy, why would they prefer their suffering? But now I knew why.Without my wounds, who was I? My scars were my face, my pastwas my life."
"Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest - where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
"The question of good and the nature of evil will always be one of philosophy's most intriguing problems, up there with the problem of existence itself. If evil means to be self - motivated, to be the center of one's own universe, to live on one's own terms, then every artist, thinker, every original mind, is evil. Because we dare to look through our own eyes rather than mouth clichés lent us from the so - called Fathers. To dare to see is to steal fire from the Gods. This is mankind's destiny, the engine which fuels us as a race."
"The cake had a trick candle that wouldn't go out, so I didn't get my wish. Which was just that it would always be like this, that my life could be a party just for me."
"Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air in between, or each link separately?"
"For what is writing besides capturing thoughts that belong to all of us, so that we can recognize ourselves, undestand ourselves, and perhaps, each other. Every thoughtful book about love makes us better lovers, I think. It opens the gates of perception."
"They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising."
"In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show."
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