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Tony Goldwyn

"I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better."

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"I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better."

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Amber Hurdle

"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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Amber Hurdle

"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

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Amber Hurdle

"I suddenly realized that comedy, for me, was just being honest, and playing it for real. I've seen so many wonderful actors who turn into creatures from another planet when they're told they are supposed to be playing comedy."

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Amber Hurdle

"The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards."

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Amber Hurdle

"An actor has to embody a role."

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Amber Hurdle

"I'm just back in line with every other actor looking for a job right now and keeping my fingers crossed."

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Amber Hurdle

"Disney has the best casting. If he doesn't like an actor he just tears him up."

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Amber Hurdle

"The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you."

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Amber Hurdle

"I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy."

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Amber Hurdle

"A symphony is a stage play with the parts written for instruments instead of for actors."

Explore more quotes by Tony Goldwyn

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Tony Goldwyn
"I don't want to do an action movie, because I've acted in them, and they're so boring to do, because they're so technical. The headache of that is daunting. But, if it were an action movie with really interesting characters, how great would that be?"
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Tony Goldwyn
"I don't get over the wonder of it, and 'The Last Samurai' was an extreme example of that. Every day when I went to the set, I couldn't believe what I was seeing."
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Tony Goldwyn
"My parents kept us sheltered from this world of Hollywood. I don't have any great memories of bouncing on Cary Grant's knee or something like that."
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Tony Goldwyn
"I grew up in Hollywood. Saying my name here is like mentioning Ford in Detroit."
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Tony Goldwyn
"I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important."
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Tony Goldwyn
"The more decisions you make, the better, statistically, your odds of success are. And what I also learned was, it doesn't matter: anything can be fixed. When you're directing, you can agonize, but you can't indulge. Stuff has to happen."
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Tony Goldwyn
"I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better."
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