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Robert Towne

"It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s."

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"It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s."

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"In France they spend six months training policemen, then they give them a gun and put them on the streets, and I don't know that that's enough. The film's not against the police - although I think that if someone wants to be a cop there's got to be a problem."

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"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."

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"I kinda go for the Jane Eyre type of film. I am fascinated by classics."

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"Most film directors do not come up with their own subjects or write their own screenplays."

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"I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape."

Explore more quotes by Robert Towne

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Robert Towne
"I'm excited and encouraged to see people getting involved with their public lands and forests. We really need the public's help to repair these heavily used recreation sites."
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Robert Towne
"I think that those are the things that you can uniquely do with film that are difficult to do anywhere else: they can bring a picture to life, give it a natural and historical context and make you feel that everything else is suddenly credible."
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Robert Towne
"One of the reasons for going back into the past is that it's almost the only place that there's any drama."
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Robert Towne
"Of course I'm respectable. I'm old. Politicians, ugly buildings, and whores all get respectable if they last long enough."
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Robert Towne
"You're torn between wanting to fill in all the spaces and knowing that's really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don't understand the process?"
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Robert Towne
"But time has caught up with it and I think vindicated it. Shampoo, too: very dark, very ambitious movie."
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Robert Towne
"And I think one way or another it's evident to those who work with me that as a writer, a director, a friend, as somebody's there that's very anxious to get the movie made."
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Robert Towne
"But, uh, censorship at that time said that you just absolutely couldn't do anything involving children and so we had to go from there. I don't remember what I changed it to. Duvall is just excellent in it."
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Robert Towne
"It made me alive to the fact that the most important thing sometimes is what isn't said - to prepare for moments of revelation that can be read entirely on actors' faces without dialogue."
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Robert Towne
"Now they're attracted to one another, but repelled by their ethnic origins, so that there was something to overcome. They had to overcome their own prejudices, which had been imposed by the culture - their own shame at being Mexican and Italian."
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