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Robert Towne

"It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s."

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"It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s."

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Donna Grant

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Donna Grant

"Film gives us a second chance at a first impression."

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Donna Grant

"Looper is another great film."

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Donna Grant

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Donna Grant

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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Personal Development

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Donna Grant

"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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Donna Grant

"So I used formal techniques to make the film more perceptive emotionally."

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Personal Development

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Donna Grant

"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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Personal Development

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Donna Grant

"I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way."

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Donna Grant

"'Gone With The Wind' is one of the all-time greats. Read Margaret Mitchell's book and watch the film again; it's a soap opera in all its glory. It is superb and memorable."

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Robert Towne
"But time has caught up with it and I think vindicated it. Shampoo, too: very dark, very ambitious movie."

Time

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Robert Towne
"But, uh, censorship at that time said that you just absolutely couldn't do anything involving children and so we had to go from there. I don't remember what I changed it to. Duvall is just excellent in it."

Time

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Robert Towne
"If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself."

People

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Robert Towne
"You're torn between wanting to fill in all the spaces and knowing that's really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don't understand the process?"

People

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Robert Towne
"One of the reasons for going back into the past is that it's almost the only place that there's any drama."

Drama

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Robert Towne
"Finally, Colin Farrell showed up on my doorstep, only he wasn't Colin Farrell - he was just this Irish kid who had read the script and wanted to do it."

Irish

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Robert Towne
"I'm excited and encouraged to see people getting involved with their public lands and forests. We really need the public's help to repair these heavily used recreation sites."

People

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Robert Towne
"It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s."

Film

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Robert Towne
"It made me alive to the fact that the most important thing sometimes is what isn't said - to prepare for moments of revelation that can be read entirely on actors' faces without dialogue."

Actor

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Robert Towne
"Of course I'm respectable. I'm old. Politicians, ugly buildings, and whores all get respectable if they last long enough."

Old

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