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Joel Coen

"Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across."

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"Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across."

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Asa Don Brown

"Without archives many stories of real people would be lost, and along with those stories, vital clues that allow us to reflect and interpret our lives today."

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Asa Don Brown

"So I believe in the redeeming power of stories, I believe that stories are incredibly important, possibly in ways we don't understand, in allowing us to make sense of our lives, in allowing us to escape our lives, in giving us empathy and in creating the world that we live in."

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Asa Don Brown

"The Doktor was very vond, I mean fond of Vluffy, so he gave him a flame-proof doggie-jacket. It was dull grey, but it had a tartan pattern on it. Vluffy liked his doggie-jacket and wore it all the time. When things went 'bang' he could just roll over, dust himself off and quickly scamper off with the doggie jacket flapping on his back. So in short, Vluffy was a very happy little dog who spent a lot of his time hiding under furniture. But the point is that he'd had a lot of time. Much more than those who went (up in smoke) before him."

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Asa Don Brown

"This is the story of a man named Eddie and it starts at the end, with Eddie dying in the sun. It may seem strange to start a story with and ending, but all endings are also beginnings. We just don't know it at the time."

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Asa Don Brown

"All the stories I'll ever need are right here on Main Street."

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Asa Don Brown

"Once upon a time, there was a naïve and innocent girl who thought she could tame the beast and live happily ever after. But the beast did not want to be tamed, for he was a beast and beasts care not for such things, and the girl died along with her dreams. From childhood's grave sprang a young woman, jaded before her years, who knew that beasts could wear the skins of men, and that evil could exist in sunlight, as well as darkness. Plus ça change, plus c’est la même chose."

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Asa Don Brown

"One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it."

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Asa Don Brown

"Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place."

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Asa Don Brown

"Other people's stories may become part of your own, the foundation of it, the ground it goes on."

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Asa Don Brown

"After nourishment, shelter and companionship, stories are the thing we need most in the world."

Explore more quotes by Joel Coen

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Joel Coen
"You're doing it to make the character as specific as possible, so that it's a specific individual that you're talking about, not that whole class of people."
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Joel Coen
"The question is: Where would it get you if something that's a little bit ambiguous in the movie is made clear? It doesn't get you anywhere."
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Joel Coen
"We create monsters and then we can't control them."
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Joel Coen
"The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them."
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Joel Coen
"And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before."
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Joel Coen
"When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of your employer. That's a little bit different than when you sit down and write something to satisfy yourself, because then you're the employer."
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Joel Coen
"Usually, I don't want to sit down and listen to the director gas on about his movie. I just can't actually imagine myself sitting down and having that much to say."
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Joel Coen
"These things are hard to pin down. We work on a script a bit, then work on a different one."
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Joel Coen
"When we do a movie with the studios, they wouldn't be asking us to do it, I don't think, if it was a movie they wanted to get into themselves. What you see is what you get with us, so they let us do what we want to do."
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Joel Coen
"You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way. I don't even know how you approach the process of conceiving the characters if in a sense you hated them. It's just absurd."
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