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"I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in those great drainpipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now - buy why? The whole world ought to pass by this bed and say: 'That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!"
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"The doctrine that war is always a greater evil seems to imply a materialist ethic, a belief that death and pain are the greatest evils. But I do not think they are... All men die, and most men miserably. That two soldiers on opposite sides, each believing his own country to be in the right, each at the moment when his selfishness is most in abeyance and his will to sacrifice in the ascendant, should kill [each] other in plain battle seems to me by no means one of the most terrible things in this terrible world."

"It was how wars really ended, Dieffenbaker supposed -- not at truce tables but in cancer wards and office cafeterias and traffic jams. Wars died one tiny piece at a time, each piece something that fell like a memory, each lost like an echo that fades in winding hills. In the end even war ran up the white flag. Or so he hoped. He hoped that in the end even war surrendered."

"The evil we create during the wars to save us, it can also end us when the war is over."

"Words of war, on a piece of paper. Where peace is torn off, crumbled and toss in the waste basket."

"In raining bullets on those silent faces, already turned away from this world, you think you are disfiguring the face of our truth."

"What is the first thing we did when we took control of Iraq? Protect the oil fields. Remember the administration quote about how the oil would pay for the war."

"Let's think of that moment when a woman washed the feet of Jesus with the nard, so expensive: it is a religious moment, a moment of gratitude, a moment of love. And he [Judas] stands apart with bitter criticism: 'But this could have been used for the poor!' This is the first reference that I have found, in the Gospel, to poverty as an ideology. The ideologue does not know what love is, because he does nt know how to give himself."
Explore more quotes by Erich Maria Remarque

"The story of the herd of seals. Hundreds of them on a beach; among them the hunter killing one after the other with a club. Together they could easily have crushed him- but they lay there, watching him come to murder, and did not move; he was only killing a neighbor- one neighbor after the other. The story of the European seals. The sunset of civilization. Tired shapeless Götterdämmerung. The empty banners of human rights. The sell-out of a continent. The onrushing deluge. The haggling for the last prices. The old dance of despair on the volcano. Peoples again slowly being driven into a slaughterhouse. The fleas would save themselves when the sheep were being sacrificed. As always."

"For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress - to the future."

"The crowd, still shouting, gives way before us. We plough our way through. Women hold their aprons over their faces and go stumbling away. A roar of fury goes up. A wounded man is being carried off."

"The best way to lose a woman was to show her a kind of life that one could offer her for only a few days."

"We don't act like that because we are in good humor we are in a good humor because otherwise we should go to pieces."

"Petnaest srećnih godina su kratke - odgovorih. Petnaest nesrećnih godina su duge i pružaju čoveku mnogo iskustva."

"The music enchanted the air. It was like the south wind, like a warm night, like swelling sails beneath the stars, completely and utterly unreal... It made everything spacious and colourful, the dark stream of life seemed pulsing in it; there were no burdens any more, no limits; there existed only glory and melody and love, so that one simply could not realize that, at the same time as this music was, outside there ruled poverty and torment and despair."

"When we love each other we are immortal and indestructible like the heartbeat and the rain and the wind."

"We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me 'dear boy,' it means much more than when another uses it."
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