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John Sexton

"Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation."

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"Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation."

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Amber Hurdle

"I've been working with photography for many years."

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Amber Hurdle

"The problem of direct colour photography has been facing us since the turn of the last century."

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Amber Hurdle

"A taste for simplicity cannot endure for long."

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Amber Hurdle

"For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom."

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Amber Hurdle

"All photographs are memento mori. To take a photograph is to participate in another person's (or thing's) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt."

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Amber Hurdle

"Actually, when I first started dabbling in photography, I was still working for my parents as a salesman."

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Amber Hurdle

"Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk."

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Amber Hurdle

"Wherever there is light, one can photograph."

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Amber Hurdle

"When the reality looks magnificent, a real art of photography has only one choice: To capture this beauty magnificently!"

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Amber Hurdle

"I rode it once, which was up the driveway in the opening credits of the show. I didn't know how to stop it. I actually nearly killed the director of photography, and I smashed into the sound truck."

Explore more quotes by John Sexton

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John Sexton
"I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never been in a power plant before, but I felt, without being overly dramatic, compelled to make photographs of this for myself."
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John Sexton
"I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology."
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John Sexton
"Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print."
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John Sexton
"In my mind I needed a symbol of today's technology, and I realized that what I wanted to photograph was the Space Shuttle. And so that's where Places of Power came into being."
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John Sexton
"I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography."
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John Sexton
"The first day at the power plant I found myself photographing some steam vents on the roof of the structure. And I remember consciously thinking that they were just like trees but they were metal."
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John Sexton
"It was amazing to watch him in the darkroom at an advanced age, still get excited when the results were pleasing. He still struggled like we all do in the darkroom and he struggled behind the camera, and when he had a success he was beaming."
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John Sexton
"One of the workshop participants had shown me a single 8 X 10 photograph of a power plant where he actually was the general manager of this power cooperative. It was quite magical to me."
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John Sexton
"He was a very generous soul and was exceptionally dedicated to the medium of photography."
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John Sexton
"The reason I do workshops is so I can learn, and I am fortunate that I've probably gained more from the whole experience of teaching than any one participant has. It is all about asking."
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