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"The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he's been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?"
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"It just happens to be the way that I'm made. I have to write things down to feel I fully comprehend them."

"A writer's primary goal is to make sense. The bookstore's is to make cents."

"Remember Stephen King's First Rule of Writers and Agents, learned by bitter personal experience: You don't need one until you're making enough for someone to steal ... and if you're making that much, you'll be able to take your pick of good agents."

"Write out of love. Your piece will finish itself."

"At the inauguration of each sentence, the writer commences with an optimistic sense of curiosity. Similar to an inquisitive explorer, a writer begins each thoughtful decree with an appreciative sense of the unknown and ends with a reverent regard for the unanswerable. Repeating this instigating act of discovery by placing a combination of sentences down on paper creates a unique verdict. The writer's compilation of pronouncements expresses their interpretation of life. Replicating this creative endeavor in the futile effort to say it all imitates the revolving mystery of life where physical reality and mysterious forces of nature operate upon humankind."

"One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed."
Explore more quotes by Julian Barnes

"Women scheme when they are weak, they lie out of fear. Men scheme when they are strong, they lie out of arrogance."

"His air of failure had nothing desperate about it; rather, it seemed to stem from an unresented realisation that he was not cut out for success, and his duty was therefore to ensure only that he failed in the correct and acceptable fashion."

"If you remember your past too well you start blaming your present for it. Look what they did to me, that's what caused me to be like this, it's not my fault. Permit me to correct you: it probably is your fault. And kindly spare me the details."

"When I was still quite young I had a complete presentiment of life. It was like the nauseating smell of cooking escaping from a ventilator: you don't have to have eaten it to know that it would make you throw up."

"We live with such easy assumptions, don't we? For instance, that memory equals events plus time. But it's all much odder than this. Who was it said that memory is what we thought we'd forgotten? And it ought to be obvious to us that time doesn't act as a fixative, rather as a solvent. But it's not convenient--- it's not useful--- to believe this; it doesn't help us get on with our lives; so we ignore it."

"Later on in life, you expect a bit of rest, don't you? You think you deserve it. I did, anyway. But then you begin to understand that the reward of merit is not life's business."

"Love may not lead where we think or hope, but regardless of outcome it should be a call to seriousness and truth. If it is not that - if it is not moral in its effect - then love is no more than an exaggerated form of pleasure."

"He didn't really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself."

"A pier is a disappointed bridge, yet stare at it for long enough and you can dream it to the other side of the Channel."

"He thought of trying to explain something he had recently noticed about himself: that if anyone insulted him, or one of his friends, he didn't really mind--or not much, anyway. Whereas if anyone insulted a novel, a story, a poem that he loved, something visceral and volcanic occurred within him. He wasn't sure what this might mean--except perhaps that he had got life and art mixed up, back to front, upside down."
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