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Roy Wood

"We happened to be in the studio next door and I think Noel Redding came around and said, 'Do you fancy having a sing on this?' We just went and did it and it was great."

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"We happened to be in the studio next door and I think Noel Redding came around and said, 'Do you fancy having a sing on this?' We just went and did it and it was great."

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Asa Don Brown

"It is well to fetter the wings of our fancy and restrain its flights."

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Asa Don Brown

"I didn't fancy any of my teachers."

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Asa Don Brown

"If I fancy a girl, I'll tell her. I'll say: 'You're fit.'"

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Asa Don Brown

"I don't get to go to the super fancy stores unless I am in L.A. so you stay pretty real and normal that way."

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Asa Don Brown

"I don't want to go to the Bahamas on holiday. I hate islands. I want to go to Brittany, where it's cold and raining, and there's nothing fancy about it."

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Asa Don Brown

"Its Arsenal 0 - Everton 1, and the longer it stays like that the more you've got to fancy Everton."

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Asa Don Brown

"I have to be stretched in some way. There's not enough things that come my way that I fancy."

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Asa Don Brown

"No one can penetrate me. They only see what's in their own fancy, always."

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Asa Don Brown

"I really fancy Harrison Ford. I've got to say I think he's really divine. He's, like, an older man, I guess, although he's not really that old, obviously. I don't want to offend him."

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Asa Don Brown

"The myths connected with individual sanctuaries and ceremonies were merely part of the apparatus of the worship; they served to excite the fancy and sustain the interest of the worshipper... no one cared what he believed about its origin."

Explore more quotes by Roy Wood

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Roy Wood
"I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do."
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Roy Wood
"I think we were probably playing live for about 12 months before we got a recording deal."
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Roy Wood
"I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose."
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Roy Wood
"Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time."
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Roy Wood
"When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies."
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Roy Wood
"Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny."
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Roy Wood
"I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us."
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Roy Wood
"Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written."
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Roy Wood
"The first people I ever saw were probably Little Richard and Gene Vincent."
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Roy Wood
"The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant."
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