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"Shakespeare's idea of the tragic fact is larger than this idea and goes beyond it; but it includes it, and it is worth while to observe the identity of the two in a certain point which is often ignored."
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"From the port of ideas, not only the most clever ones put out to sea and conquer the world but also the most stupid ones do this!"

"Through your ideas, you open the window of your mind and say a hello to the world."

"An idea can change your fate in a wonderful way but you must first let the idea to touch your mind and your heart! No closed book can ever be your hero!"

"Unless you close your door to other ideas, you will never remain idealess!"

"Many things about our bodies would not seem to us so filthy and obscene if we did not have the idea of nobility in our heads."

"A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism."

"Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness."
Explore more quotes by Andrew Coyle Bradley

"Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge."

"Job was the greatest of all the children of the east, and his afflictions were well-nigh more than he could bear; but even if we imagined them wearing him to death, that would not make his story tragic."

"King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure."

"In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect."

"Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character."

"Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact."

"When Shakespeare begins his exposition thus he generally at first makes people talk about the hero, but keeps the hero himself for some time out of sight, so that we await his entrance with curiosity, and sometimes with anxiety."

"But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections."

"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."

"A Shakespearean tragedy as so far considered may be called a story of exceptional calamity leading to the death of a man in high estate. But it is clearly much more than this, and we have now to regard it from another side."
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