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Luc Ferrari

"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."

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"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."

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Amber Hurdle

"The correlative to loving our neighbors as ourselves is hating ourselves as we hate our neighbors."

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Amber Hurdle

"I hate myself because I am not beautiful."

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Amber Hurdle

"We were really motivated to do something with this record overseas, even though I hate touring."

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Amber Hurdle

"I hate a man who always says "yes" to me. When I say "no" I like a man who also says "no.""

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Amber Hurdle

"I hate auditions - when I'm doing them, I can't wait to get out the bleeding door."

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Amber Hurdle

"Don't hate me 'cause I'm booed a fool!"

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Amber Hurdle

"I was quite pleased that Prince Philip didn't say anything like, I hate queers! He was quite well behaved."

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Amber Hurdle

"I hate Republicans and everything they stand for."

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Amber Hurdle

"I hate Shakespeare. I think Shakespeare's rubbish."

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Amber Hurdle

"Don't hate the media, become the media."

Explore more quotes by Luc Ferrari

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Luc Ferrari
"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."
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Luc Ferrari
"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."
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Luc Ferrari
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
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Luc Ferrari
"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."
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Luc Ferrari
"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."
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Luc Ferrari
"I have problems with machines which aren't gestural."
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Luc Ferrari
"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."
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Luc Ferrari
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
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Luc Ferrari
"Boulez seemed to me to be a guy who wrote laws. Like a company lawyer."
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Luc Ferrari
"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."
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