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"Money had no name, of course. And if it did have a name, it would no longer be money. What gave money its true meaning was its dark-night namelessness, its breathtaking interchangeability."
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"A society becomes a breeding ground of violence and terrorism when it closes its door to new ideas and forces the citizens to live in the prison of conforming thoughts."
"Oh shit did you just dis the feminine genderI'll pummel your ass then stick you in a blenderYou think I like Tori and Ani so I can't rhymeBut I got flow like Ghostbusters got slimeObjectify women and it's fuckin' onYou'll be dead and gone like ancient Babylon."
"I was pure, before you defiled me, and don't you forget it. As though the concept of purity is anything more than the construct of selfish, competitive men stampeding toward the women to call dibs. I'll be damned if I'm not worth stampeding toward, but the prize had better be me, hymen or no hymen."
"It's strange how money seems to silence a neighborhood," I say quietly. "On my street, where no one has money, it's so loud. Sirens blaring, people shouting, car doors slamming, stereos thumping. There's always someone, somewhere, making noise."
Explore more quotes by Haruki Murakami
"Okay, let's put it this way. I would like to sleep with you. But it's alright if I don't sleep with you. What I'm saying is I'd like to be as fair as possible. I don't want to force anything on anybody, any more than I'd want anything forced on me. It's enough that I feel your presence or see your commas swirling around me."
"We truly believed in something back then, and we knew we were the kind of people capable of believing in something - with all our hearts. And that kind of hope will never simply vanish."
"In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality."
"The heart and flesh of an empty shell give birth to nothing more than the life of an empty shell."
"Haida stopped and glanced at the clock on the wall. Then he looked at Tsukuru. He was, of course, Haida the son, but Haida the father has been the same age in his story, and so the two of them began to overlap in Tsukuru's mind. It was an odd sensation, as if the two distinct temporalities had blended into one. Maybe it wasn't the father who had experienced this, but the son. Maybe Haida was just relating it as if his father had experienced it, when in reality he was the one who had. Tsukuru couldn't shake this illusion."
"The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings."
"I have always loved Naoko, and I still loved her. But there is a decisive finality to what exists between Midori and me."
"Somewhere between 'not enough' and 'not at all.' I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it - to be fed so much love I couldn't take any more. Just once. But they never gave that to me. Never, not once."
"Whenever she felt like crying, she would instead become angry-at someone else or at herself-which meant that it was rare for her to shed tears."
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