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"Mesa, adorno de marfil, arcoíris, cebolla, peinado, molusco, Sabbat, violencia, cutícula, melodrama, cuneta, miel, pañuelo... Nada la conmovía. (...) Nada conseguía ser más de lo que era en realidad. Eran solo cosas, prisioneras de su propia esencia."
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"It was no wonder that they thus questioned one another's actual and bodily existence, and even doubted of their own. So strangely did they meet in the dim wood that it was like the first encounter in the world beyond the grave of two spirits who had been intimately connected in their former life, but now stood coldly shuddering in mutual dread, as not yet familiar with their state, nor wonted to the companionship of disembodied beings. Each a ghost, and awe-stricken at the other ghost."
"Mesa, adorno de marfil, arcoíris, cebolla, peinado, molusco, Sabbat, violencia, cutícula, melodrama, cuneta, miel, pañuelo... Nada la conmovía. (...) Nada conseguía ser más de lo que era en realidad. Eran solo cosas, prisioneras de su propia esencia."
"That's the existential problem," Fat said, "based on the concept that We are what we do, rather than, We are what we think. It finds its first expression in Goethe's Faust, Part One, where Faust says, 'Im Anfang war das Wort'. He's quoting the opening of the Fourth Gospel; 'In the beginning was the Word.' Faust says, 'Nein. Im Anfang war die Tat.' In the beginning was the Deed. From this, all existentialism comes."
"About a third of my cases are suffering from no clinically definable neurosis, but from the senselessness and emptiness of their lives. This can be defined as the general neurosis of our times."
"People. You must love people. Men are admirable. I wantto vomit-and suddenly, there it is: the Nausea."
"It can't be that life is so senseless and horrible. But if it really has been so horrible and senseless, why must I die and die in agony? There is something wrong!"
"ESTRAGON: Don't touch me! Don't question me! Don't speak to me! Stay with me!VLADIMIR: Did I ever leave you?ESTRAGON: You let me go."
"Why are we here? Is there, really, some intelligent design? Why do we cry for someone who leaves us, if there's some Grand Pearly Gate in the sky? Why worry about how we build our lives if the ultimate ending for all is death, a single breath away?"
"What is this world that is hastening me toward I know not what, viewing me with contempt?"
"CLOV:Do you believe in the life to come?HAMM:Mine was always that."
Explore more quotes by Jonathan Safran Foer
"So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!"
"He saw what they either couldn't see or couldn't allow themselves to see, and that only made him more pissed, because being less stupid than one's parents is repulsive, like taking a gulp from a glass of milk that you thought was orange juice."
"Kids are a great analogy. You want your kids to grow up, and you don't want your kids to grow up. You want your kids to become independent of you, but it's also a parent's worst nightmare: That they won't need you. It's like the real tragedy of parenting."
"She took the posters downtown that afternoon. She filled a rolling suitcase with them ... she took a stapler. And a box of staples. And hope. I think of those things. The paper, the stapler, the staples, the tape, the hope. It makes me sick. Physical things. Forty years of loving someone becomes staples and hop."
"I said, 'I need to know how he died.'He flipped back and pointed at, 'Why?'So I can stop inventing how he died. I'm always inventing."
"Touch had always saved them in the past. No matter the anger or hurt, no matter the depth of the aloneness, a touch, even a light and passing touch, reminded them of their long togetherness. A palm on a neck: it all flooded back. A head leaned upon a shoulder: the chemicals surged, the memory of love. At times, it was almost impossible to cross the distance between their bodies, to reach out. At times, it was impossible. Each new the feeling so well, in the silence of a darkened bedroom, looking at the same ceiling: If I could open my fingers, my heart's fingers could open."
"I thought about all of the things that everyone ever says to each other, and how everyone is going to die, whether it's in a millisecond, or days, or months, or 76.5 years, if you were just born. Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped."
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