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Robert Creeley

"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."

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"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."

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Donna Grant

"People should be courage to read books, it should be made in such way how I changed my opinion how James Patterson did it. It should be done a way in which people should se the advantages of reading a book."

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Personal Development

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Donna Grant

"If one cannot enjoy reading a book over and over again, there is no use in reading it at all."

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Personal Development

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Donna Grant

"By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas."

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Personal Development

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Donna Grant

"Sometimes it is the reader that sucks, not the book."

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Personal Development

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Donna Grant

"It is a good rule after reading a new book, never to allow yourself another new one till you have read an old one in between."

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Personal Development

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Donna Grant

"He who fears he shall suffer, already suffers what he fears."

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Personal Development

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Donna Grant

"Hypocrite reader my fellow my brother!"

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Personal Development

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Donna Grant

"The world of books is heavenly paradise."

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Personal Development

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Donna Grant

"When someone tells me to 'just relax,' I wonder why they don't hand me a book?"

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Donna Grant

"Reading sparks writing."

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Robert Creeley
"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."

Sense

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Robert Creeley
"Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!"

Imagination

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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."

Reading

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Robert Creeley
"You were saying that once when visiting Yale, you were struck that unlike Pound, Williams's thinking was volatile, I mean, did not stay locked into a pattern of concepts that then defined his subsequent necessary behavior, whereas Pound did."

Behavior

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Robert Creeley
"First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns."

Narrative

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Robert Creeley
"The pattern of the narrative never of necessity wants to end, it never has to."

Narrative

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Robert Creeley
"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."

Progress

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Robert Creeley
"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."

Creativity

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Robert Creeley
"And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it."

Experience

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Robert Creeley
"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."

Being

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