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Peter Sotos

"Further, I'm obsessed with how language contorts and creates bodies."

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"Further, I'm obsessed with how language contorts and creates bodies."

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Amber Hurdle

"Belladonna, n.: In Italian a beautiful lady; in English a deadly poison. A striking example of the essential identity of the two tongues."

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Amber Hurdle

"Cussing like a commoner wasn't something I was tested on. I picked that habit up outside of high school."

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Amber Hurdle

"It is very useful, when one is young, to learn the difference between "literally" and "figuratively." If something happens literally, it actually happens; if something happens figuratively, it feels like it is happening. If you are literally jumping for joy, for instance, it means you are leaping in the air because you are very happy. If you are figuratively jumping for joy, it means you are so happy that you could jump for joy, but are saving your energy for other matters."

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Amber Hurdle

"Words are not static.Language shape our memories, and it is also shaped by our memories."

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Amber Hurdle

"Know that diamonds and roses are as uncomfortable when they tumble from one's lips as toads and frogs: colder, too, and sharper, and they cut."

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Amber Hurdle

"Although profanity is part of our language that we speak everyday, it can simultaneity be used as a weapon to demoralize other people if it is offensive within its meaning."

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Amber Hurdle

"English is not merely a language anymore, it has become a way of life for millions of non-native English speakers around the world."

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Amber Hurdle

"Just because a word or expression has an antiquity or was once widely used does not confer on it some special immunity."

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Amber Hurdle

"HOSTESS. Oh, nonsense! She speaks English perfectly.NEPOMMUCK. Too perfectly. Can you shew me any English woman who speaks English as it should be spoken? Only foreigners who have been taught to speak it speak it well."

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Amber Hurdle

"Language is a tool for communicating and not a barrier to writing."

Explore more quotes by Peter Sotos

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Peter Sotos
"If you look at the publishers I've worked with, generally, they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and, almost always, less money than ideas."
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Peter Sotos
"Most of my books have caused distribution and printing problems in the past."
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Peter Sotos
"But, right now, the situation is that almost all of my writing is out of print."
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Peter Sotos
"I don't sell enough books to pay for the lawyers, however. And these various problems finally became too much."
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Peter Sotos
"My introduction to the Brady book was an attempt to nail the exact same idea since Brady addressed the point. And since I write pornography, naturally, something of an obsession for me."
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Peter Sotos
"In the past the publishers I've worked with have been extremely generous. And in almost every case, have been people who believed in the work rather than the sales and marketing."
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Peter Sotos
"Once again, I think there is little art being done that really owns up to such intense possibilities."
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Peter Sotos
"The book grew out of the introduction I did for Brady's Gates of Janus. I knew that the writing in that introduction had a better than average chance of being read by people involved in Brady's life - parents of victims, police, Brady himself."
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Peter Sotos
"I'm not trying to do conceptual art."
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Peter Sotos
"And books that were published in much larger numbers than Selfish, Little are hard to find. And publishers who wanted to publish my last few works have them stuck in limbo while new distribution ideas and legal issues and fears are blown away."
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