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Janet Fitch

"What was beauty unless you intended to use it, like a hammer, or a key? It was just something for other people to use and admire, or envy, despise. To nail their dreams onto like a picture hanger on a blank wall. And so many girls saying, use me, dream me."

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"What was beauty unless you intended to use it, like a hammer, or a key? It was just something for other people to use and admire, or envy, despise. To nail their dreams onto like a picture hanger on a blank wall. And so many girls saying, use me, dream me."

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Amber Hurdle

"A country where women are not free has no chance ever to be something good and respectable!"

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Amber Hurdle

"It is better to go near the truth and be imprisoned than to stay with the wrong and roam about freely, master Galilei. In fact, getting attached to falsity is terrible slavery, and real freedom is only next to the right."

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Amber Hurdle

"Society therefore is an ancient as the world."

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Amber Hurdle

"Foulmouthed individuals seem to have their neuron systems replaced by colon structures, given that their terminology profusely consists of "sh*t and f*ck". ['Tolerance zero']"

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Amber Hurdle

"The walls, where there was room, were well decorated with calendars and posters showing bright, improbable girls with pumped-up breasts and no hips - blondes, brunettes and redheads, but always with this bust development, so that a visitor of another species might judge from the preoccupation of artist and audience that the seat of procreation lay in the mammaries. Alice Chicoy...who worked among the shining girls, was wide-hipped and sag-chested and she walked well back on her heels...She was not in the least jealous of the calendar girls and the Coca-Cola girls. She had never seen anyone like them, and she didn't think anyone ever had."

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Amber Hurdle

"Blow the dust off the clock. Your watches are behind the times. Throw open the heavy curtains which are so dear to you - you do not even suspect that the day has already dawned outside."

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Amber Hurdle

"Anyone who looks good with a bald head is seriously sexy."

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Amber Hurdle

"A woman, she had provoked this horror; a woman, she shouldh ave known how to deal with it. It was immesley to her discredit, sexually, to stand there dumb. One said - what did one say? - Oh, Mr. Ramsay! Dear Mr. Ramsay! That was what that kind old lady who sketched, Mrs. Beckwith, would have said instantly, and rightly. But, no. They stood there, isolated from the rest of the world. His immesnse self-pity, his demand for sympathy poured and and spread itself in pools at her feet, and all she did, miserable sinner that she was, was to draw her skirts a little closer round her ankles, lest she should get wet."

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Amber Hurdle

"Praise and blame alike mean nothing. No, delightful as the pastime of measuring may be, it is the most futile of all occupations, and to submit to the decrees of the measurers the most servile of attitudes."

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Amber Hurdle

"The problem of the world is that it needs silence... compassion and passion. Once it's found, the world will be changed."

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Janet Fitch
"The expression in her eyes was bitter as nightshade. 'You ask me about regret? Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air between, or each link separately, as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself? I've given more thought to this question than you can begin to imagine."
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Janet Fitch
"I always read poetry before I write, to sensitize me to the rhythms and music of language."
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Janet Fitch
"Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest - where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
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Janet Fitch
"His voice was cloves and nightingales, it took us to spice markets in the Celebs, we drifted with him on a houseboat beyond the Coral Sea. We were like cobras following a reed flute."
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Janet Fitch
"Just a beginner, but he learned so fast. Everything came so damn easy to him. Not true. The hard things cam easy. But the easy things he found impossibly hard."
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Janet Fitch
"Rena noticed me watching it pass. 'You think they don't got problem?' Rena said. 'Everybody got problem. You got me, they got insurance, house payment, Preparation H.' She smiled, baring the part between her two upper teeth. 'We are the free birds. They want to be us."
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Janet Fitch
"Isn't it funny.I'm enjoying my hatred so much more than i ever enjoyed love. Love is temperamental. Tiring. It makes demands. Love uses you, changes its mind. But hatred, now, that's something you can use. Sculpt. Wield. It's hard, or soft, however you need it. Love humiliates you, but Hatred cradles you."
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Janet Fitch
"Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay."
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Janet Fitch
"A cliche is everything you've ever heard of."
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Janet Fitch
"In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show."
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