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Debbie Allen

"It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage."

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"It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage."

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Amber Hurdle

"So, one way or another, I found myself in a few movies. I take it seriously when I'm on the set, but I don't take myself seriously as an actor."

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Amber Hurdle

"I suppose we all loved those kind of sci-fi movies where terrible things came out of swamps and came to Mars. And there's usually some poor girl. All the guys are trying to desperately handle levers and saying, go to something or other."

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Amber Hurdle

"That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years."

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Amber Hurdle

"When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way."

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Amber Hurdle

"I was always attracted to science fiction movies."

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Amber Hurdle

"My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own."

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Amber Hurdle

"I have a record company starting. It's called Flesh Records and I'm putting together music for porno movies."

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Amber Hurdle

"I did plays and movies and whatever all over the place."

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Amber Hurdle

"People over 30 are interested in sex too, but they get real movies about it."

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Amber Hurdle

"I can be in 20 movies. But I'll never be an actor."

Explore more quotes by Debbie Allen

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Debbie Allen
"The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then."
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Debbie Allen
"I got my dailies every day, although I couldn't always look at them because I was usually preparing for the next day's shoot, both as an actress and as the director."
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Debbie Allen
"The radio for these women is like television is for us today, which is really like looking at the radio."
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Debbie Allen
"But out of limitations comes creativity."
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Debbie Allen
"I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or if the actors didn't hit their marks. But if everything was working why do it again?"
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Debbie Allen
"In scoring we have a lot that was not evident in the shooting. The radio is on all the time."
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Debbie Allen
"The biggest challenge was that we had to shoot so quickly and with such a limited budget."
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Debbie Allen
"Michael Ralph brilliantly plays the street prophet, a West Indian who foreshadows the Harlem riot."
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Debbie Allen
"The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that."
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Debbie Allen
"The production team's first meeting took place at my house. I had ideas and a color scheme in mind, how I wanted the movie to look, because that has to be a real collaboration."
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