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Debbie Allen

"It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage."

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"It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage."

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Charlotte Eriksson

"I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good."

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Personal Development

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Charlotte Eriksson

"I make movies I want to see."

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Personal Development

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Charlotte Eriksson

"The reason I took Early Edition - besides the fact that I liked it - was that it enabled me to start a production company in New York City. It's a low-budget film company to produce and direct movies."

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Personal Development

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Charlotte Eriksson

"Well, Company of Wolves was about that literally, about fairy tales."

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Personal Development

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Charlotte Eriksson

"We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama."

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Personal Development

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Charlotte Eriksson

"I get offered a lot of the same type of thing... The teenage slasher movies."

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Personal Development

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Charlotte Eriksson

"Take the hardcore gamers. The characters are way more real in the world of hardcore gamers who have played the game for hundreds of hours. They have the movie in their heads, they've built it on their own. These guys are always very disappointed in the movies."

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Personal Development

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Charlotte Eriksson

"Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films."

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Personal Development

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Charlotte Eriksson

"I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants."

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Personal Development

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Charlotte Eriksson

"I never get scared making these kinds of movies because it's all make-believe, but I did cry when I saw the finished version of Man On Fire because it is so sad."

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Debbie Allen
"I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look."

Design

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Debbie Allen
"Making this movie was a great opportunity for me to explore high-definition. I'm glad I got to see what the challenges are, what makes it better. It works wonderfully."

Opportunity

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Debbie Allen
"Time management is a big part of the director's job."

Time

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Debbie Allen
"In scoring we have a lot that was not evident in the shooting. The radio is on all the time."

Time

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Debbie Allen
"I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it."

Dance

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Debbie Allen
"Everything has to be well thought out - what do you really need, when can you do with less coverage."

Thought

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Debbie Allen
"You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?"

First

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Debbie Allen
"It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage."

Movies

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Debbie Allen
"But out of limitations comes creativity."

Creativity

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Debbie Allen
"The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that."

Time

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