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"As a young man, every bone in my body wanted to pick up a machine gun and kill Germans. And yet I had absolutely no reason to do so. Certainly nobody invited me to do the job. But that's what I felt that I was trained to do. Now no part of my upbringing was militaristic."
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"Ever since then, all descendant vertebrates have had the forward end of the digestive system and the forward end of the respiratory system very much involved with each other. This manifests itself in the human body with a crossing of the two systems in the throat."
"In the garment trades, on the other hand, the presence of a body of the disfranchised, of the weak and young, undoubtedly contributes to the economic weakness of these trades."
"Freedom was conditioned by man's physical body, heredity, and environment."
Explore more quotes by Pete Townshend
"I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours."
"Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre."
"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."
"What the Who is all about is exactly that and it always has been. If it exists today for this concert, it's in response again to a function which is happening out there on the street."
"I know how it feels to be a woman because I am a woman. And I won't be classified as just a man."
"What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say."
"What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive."
"He is the king. If it hadn't been for Link Wray and 'Rumble,' I would have never picked up a guitar."
"A lot of my audience are in their 50s. But they want me to pretend to continue to be pretending."
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