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Trevor Nunn

"When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors."

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"When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors."

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Akiroq Brost

"I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy."

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Akiroq Brost

"Being a film actor is very different from a theatre actor."

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Akiroq Brost

"Being an actor means being an instrument for someone else. I want to give myself completely."

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Akiroq Brost

"Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on."

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Akiroq Brost

"A lot of actors don't like to see how they've done every day."

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Akiroq Brost

"Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it."

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Akiroq Brost

"Most actors are insecure enough already without having a director who adds to that."

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Akiroq Brost

"I think I am a much better actor than I have allowed myself to be."

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Akiroq Brost

"We film in front of a live audience, and I was a theater actor before I got into television, so I like that."

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Akiroq Brost

"I think it's sort of a rite of passage for a British actor to try and get the American accent and have a good crack at doing that."

Explore more quotes by Trevor Nunn

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Trevor Nunn
"In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I was saying earlier about listening. It isn't to do with receiving criticism and responding to other views, it's who has that last decision."
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Trevor Nunn
"I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge."
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Trevor Nunn
"One fine day I discovered that more complex plays really have to be directed."
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Trevor Nunn
"So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before."
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Trevor Nunn
"In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar."
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Trevor Nunn
"I so wanted to perform, and I grasped every opportunity."
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Trevor Nunn
"I've experienced a private doubt, something that I've kept deeply inside, and then eventually delivered a piece of work that people responded to with huge enthusiasm."
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Trevor Nunn
"I would be terribly disappointed if anything would get in the way of my being cast in something, or if performances were canceled. It was a fix that I obviously needed."
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Trevor Nunn
"A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature."
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Trevor Nunn
"I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience."
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