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Milan Kundera

"He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist."

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"He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist."

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Amber Hurdle

"Your life on earth is but for a few days and before you know it, you are no more."

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Amber Hurdle

"Over the lives borne from under the shadow of death there seems to fall the shadow of madness."

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Amber Hurdle

"It was another country. It was a country for the young, a country where you died before you got old."

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Amber Hurdle

"The suicide! What would he have done if death did not exist?"

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Amber Hurdle

"Tombstones covered the dale, the smooth marble surfaces bright. She had spent days here as a teenager, though not out of any awareness of mortality. Like every adolescent, she intended to live forever."

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Amber Hurdle

"The very possibility of death focuses the mind wonderfully."

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Amber Hurdle

"Will be there any spinoff?A lesson?Person of Interest have a lessons... first we all die alone as a second when you start understanding the somebody... it comes a moment when the cards end up and he dies."

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Amber Hurdle

"And then his noise falls completely silent-And he stops struggling-And looking right into my eyes-He dies.My Todd dies."

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Amber Hurdle

"Ay, but to die, and go we know not where;To lie in cold obstruction and to rot;This sensible warm motion to becomeA kneaded clod; and the delighted spiritTo bathe in fiery floods, or to resideIn thrilling region of thick-ribbed ice;To be imprison'd in the viewless winds,And blown with restless violence round aboutThe pendent world; or to be worse than worstOf those that lawless and incertain thoughtImagine howling: 'tis too horrible!The weariest and most loathed worldly lifeThat age, ache, penury and imprisonmentCan lay on nature is a paradiseTo what we fear of death."

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Amber Hurdle

"When we died, no one would know, and that fraction of a moment that was so important to who we were would be gone."

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Milan Kundera
"The girl was grateful to the young man for every bit of flattery; she wanted to linger for a moment in its warmth and so she said, 'You're very good at lying.''Do I look like a liar?''You look like you enjoy lying to women,' said the girl, and into her words there crept unawares a touch of the old anxiety, because she really did believe that her young man enjoyed lying to women."
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Milan Kundera
"No peace is possible between the novelist and the agélaste [those who do not laugh]. Never having heard God's laughter, the agélastes are convinced that the truth is obvious, that all men necessarily think the same thing, and that they themselves are exactly what they think they are. But it is precisely in losing the certainty of truth and the unanimous agreement of others that man becomes an individual. The novel is the imaginary paradise of individuals. It is the territory where no one possesses the truth — neither Anna nor Karenin — but where everyone has the right to be understood, both Anna and Karenin."
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Milan Kundera
"Every novel says to the reader: "Things are not as simple as you think. That is the novel's eternal truth, but it grows steadily harder to hear amid the din of easy, quick answers that come faster than the question and block it off. In the spirit of our time, it's either Anna or Karenin who is right, and the ancient wisdom of Cervantes, telling us about the difficulty of knowing and the elusiveness of truth, seems cumbersome and useless."
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Milan Kundera
"There is a certain part of all of us that lives outside of time. Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless."
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Milan Kundera
"He took over anger to intimidate subordinates, and in time anger took over him."
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Milan Kundera
"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."
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Milan Kundera
"Fortunately women have the miraculous ability to change the meaning of their actions after the event."
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Milan Kundera
"A meadow is nothing but a field of suffering. Every second some creature is dying in the gorgeous green expanse, ants eat wriggling earthworms, birds lurk in the sky to pounce on a weasel or a mouse. You see that black cat, standing motionless in the grass. She is only waiting for an opportunity to kill. I detest all that naA ve respect for nature. Do you think that a doe in the jaws of a tiger feels less horror than you? People thought up the idea that animals don't have the same capability for suffering as human, because otherwise they couldn't bear the knowledge that they are surrounded by a world of nature that is horror and nothing but horror."
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Milan Kundera
"Let the planet be convulsed with exploding bombs, the country ravished daily by new hordes, all his neighbors taken out and shot - he could accept it all more easily than he dared to admit. But the grief implicit in Tereza's dream was something he could not endure."
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Milan Kundera
"Do stories, apart from happening, being, have something to say? For all my skepticism, some trace of irrational superstition did survive in me, the strange conviction, for example, that everything in life that happens to me also has a sense, that it means something, that life speaks to us about itself through its story, that it gradually reveals a secret, that it takes the form of a rebus whose message must be deciphered, that the stories we live compromise the mythology of our lives and in that mythology lies the key to truth and mystery. Is it an illusion? Possibly, even probably, but I can't rid myself of the need continually to decipher my own life."
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