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Ryszard Kapuscinski

"Underground literature only began in the '70s, when technical developments made it possible. Before that, we were involved in a game with the censors. That was our struggle."

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"Underground literature only began in the '70s, when technical developments made it possible. Before that, we were involved in a game with the censors. That was our struggle."

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Akiroq Brost

"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."

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Akiroq Brost

"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."

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Akiroq Brost

"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"

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Akiroq Brost

"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."

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Akiroq Brost

"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."

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Akiroq Brost

"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."

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Akiroq Brost

"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."

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Akiroq Brost

"First of all, there was a volcano of words, an eruption of words that Shakespeare had never used before that had never been used in the English language before. It's astonishing. It pours out of him."

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Akiroq Brost

"Every novel says to the reader: "Things are not as simple as you think. That is the novel's eternal truth, but it grows steadily harder to hear amid the din of easy, quick answers that come faster than the question and block it off. In the spirit of our time, it's either Anna or Karenin who is right, and the ancient wisdom of Cervantes, telling us about the difficulty of knowing and the elusiveness of truth, seems cumbersome and useless."

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Akiroq Brost

"Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth--penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told."

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Ryszard Kapuscinski
"We have such a mixture now, such a fusion of different genres."
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Ryszard Kapuscinski
"Readership was high, and very attentive. It was people's only source of knowledge about the world."
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Ryszard Kapuscinski
"In modern Russia, you have no official, formal assessment of this past. Nobody in any Russian document has said that the policy of the Soviet government was criminal, that it was terrible. No one has ever said this."
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Ryszard Kapuscinski
"Amin managed to invite both the US and Soviet ambassadors to his palace at the very same time and then deliberately kept them together in his waiting room."
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Ryszard Kapuscinski
"Amin is the shame of the whole world. The fact that he managed to rule so long and commit so many crimes was only possible thanks to the hypocrisy of the East and the West who were waging the Cold War for world domination."
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Ryszard Kapuscinski
"I'll tell you what colonial experience is."
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Ryszard Kapuscinski
"I remember that during the period leading up to independence in Angola in 1975, I was the only correspondent there at all for three months."
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Ryszard Kapuscinski
"He killed his enemies because he was afraid they would kill him. Amin ordered entire tribes to be put to death, because he feared they would rebel."
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Ryszard Kapuscinski
"This is the most intimate relationship between literature and its readers: they treat the text as a part of themselves, as a possession."
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Ryszard Kapuscinski
"Money changes all the iron rules into rubber bands."
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