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Annie Dillard

"All those things for which we have no words are lost. The mind-the culture-has two little tools, grammar and lexicon: a decorated sand bucket and a matching shovel. With these we bluster about the continents and do all the world's work. With these we try to save our very lives."

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"All those things for which we have no words are lost. The mind-the culture-has two little tools, grammar and lexicon: a decorated sand bucket and a matching shovel. With these we bluster about the continents and do all the world's work. With these we try to save our very lives."

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A.E. Samaan

"Now that young girls like my twelve-year-old friend Mai are being exposed to modern Western women like me through crowds of tourists, they're experiencing those first critical moments of cultural hesitation. I call this the "Wait-a-Minute Moment" - that pivotal instant when girls from traditional cultures start pondering what's in it for them, exactly, to be getting married at the age of thirteen and starting to have babies not long after. They start wondering if they might prefer to make different choices for themselves, or any choices, for that matter. Once girls from closed societies start thinking such thoughts, all hell breaks loose."

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A.E. Samaan

"Pagans earn their reputations for relaxed sexual mores, often in rebellion from the repression of their religions during adolescence. At a Pagan festival, one need only lower one's guard to be offered sex under the cloaking of the sacred."

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A.E. Samaan

"It's surprising to me how many of my friends send Christmas cards, or holiday cards, including my atheist and secular friends."

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A.E. Samaan

"I'm the idiot box. I'm the TV. I'm the all-seeing eye and the world of the cathode ray. I'm the boob tube. I'm the little shrine the family gathers to adore.' 'You're the television? Or someone in the television?' 'The TV's the altar. I'm what people are sacrificing to.' 'What do they sacrifice?' asked Shadow.'Their time, mostly,' said Lucy. 'Sometimes each other.' She raised two fingers, blew imaginary gunsmoke from the tips. Then she winked, a big old I Love Lucy wink.'You're a God?' said Shadow.Lucy smirked, and took a ladylike puff of her cigarette. 'You could say that,' she said."

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A.E. Samaan

"Sociologically speaking, as Americans we often lack social, cultural, and mindful awareness. We hear the stories of how our arrogance has been known to offend, confuse, and alienate people from other cultures. Arrogance is the thief of mindfulness and it happens from both directions."

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A.E. Samaan

"The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren't about the women. They were about men, what men did, and what was important to men."

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A.E. Samaan

"The gypsies believe the bear to be a brother to man because he has the same body beneath his hide, because he drinks beer, because he enjoys music and because he likes to dance."

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A.E. Samaan

"A really cultured woman, like a really cultured man, is all the simpler and the less obtrusive for her knowledge; it has made her see herself and her opinions in something like just proportions; she does not make it a pedestal from which she flatters herself that she commands a complete view of men and things, but makes it a point of observation from which to form a right estimate of herself. She neither spouts poetry nor quotes Cicero on slight provocation; not because she thinks that a sacrifice must be made to the prejudices of men, but because that mode of exhibiting her memory and Latinity does not present itself to her as edifying or graceful."

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A.E. Samaan

"In Shinear, a woman [is] safe anywhere, any time-except from Trollocs and Myrddraal, of course-and any man [will] die to see it so."

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A.E. Samaan

"Every individual is at once the beneficiary and the victim of the linguistic tradition into which he has been born."

Explore more quotes by Annie Dillard

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Annie Dillard
"Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles."
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Annie Dillard
"The writer studies literature, not the world. He is careful of what he reads, for that is what he will write."
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Annie Dillard
"Aim for the chopping block. If you aim for the wood, you will have nothing. Aim past the wood, aim through the wood; aim for the chopping block."
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Annie Dillard
"I am a fugitive and a vagabond, a sojourner seeking signs."
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Annie Dillard
"I would like to learn, or remember, how to live."
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Annie Dillard
"Somewhere and I can't find where I read about an Eskimo hunter who asked the local missionary priest 'If I did not know about God and sin would I go to hell?' 'No' said the priest 'not if you did not know.' 'Then why ' asked the Eskimo earnestly 'did you tell me?'"
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Annie Dillard
"I woke in bits, like all children, piecemeal over the years. I discovered myself and the world, and forgot them, and discovered them again."
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Annie Dillard
"Private life, book life, took place where words met imagination without passing through the world."
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Annie Dillard
"I read about an Eskimo hunter who asked the local missionary priest, 'If I did not know about God and sin, would I go to hell?' 'No,' said the priest, 'not if you did not know.' 'Then why,' asked the Eskimo earnestly, 'did you tell me?"
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Annie Dillard
"On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away."
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