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Ken Burns

"Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics."

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"Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics."

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A.E. Samaan

"One must indeed test the strings to this life, bounce the bow, wet the mouthpiece, prepare for the deeper music that follows."

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"There is nothing in the world so much like prayer as music is."

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A.E. Samaan

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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A.E. Samaan

"Miranda raised her eyebrows. Apparently she hadn't figured me for a country music fan. I liked her for that."

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"Music reveals the deepest beauty of the soul."

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A.E. Samaan

"We could argue about what constitutes the creepiest line in pop music, but for me it's early Beatles- John Lennon, actually- singing 'I'd rather see you dead, little girl, than to be with another man."

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A.E. Samaan

"Music fills the void between the heart and soul and connects them in heavenly delights."

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A.E. Samaan

"Music is the fastest motivator in the world."

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A.E. Samaan

"I listen to music constantly while writing."

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A.E. Samaan

"Music has the ability to express in the upbeat every brilliant aspect of existence, while on the downbeat convey the anguish that a human being experiences when apprehending the fleeting nature of time, and the mysterious torture of living and dying. Music stands alone in its ability to communicate the symbols and phases of life, both being and nonbeing."

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Ken Burns
"You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood."
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Ken Burns
"Like a layer on a pearl, you can't specifically identify the irritant, the moment of the irritant, but at the end of the day, you know you have a pearl."
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Ken Burns
"History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions."
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Ken Burns
"I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance."
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Ken Burns
"I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on."
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Ken Burns
"I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style."
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Ken Burns
"When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad."
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Ken Burns
"We're having a hard time understanding where jazz is going. What happened to jazz?"
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Ken Burns
"You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time."
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Ken Burns
"In a sense I've made the same film over and over again. In all of them I've asked, 'Who are we as Americans?"
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