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Mark Rydell

"There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized."

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"There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized."

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Asa Don Brown

"An applause is not just the recognition of good performance, but its proof of being different than the crowd."

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Asa Don Brown

"I suppose the shock of recognition is one of the nastiest shocks of all."

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Asa Don Brown

"Not to recognize God is to oppose the kingdom of love."

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Asa Don Brown

"Lord Bacchus, do you remember me? I helped you with that missing leopard in Sonoma." Bacchus scratched his stubbly chin. "Ah... yes. John Green." "Jason Grace.""Whatever," the god said."

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Asa Don Brown

"People are always coming up to me and saying, 'I heard your dad's speech, and it's really great.' And they'll mention some place I didn't even know my dad was going to."

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Asa Don Brown

"I don't deserve any credit for turning the other cheek as my tongue is always in it."

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Asa Don Brown

"Nobody kicks on being interrupted if it's by applause."

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Asa Don Brown

"Can you think of anything more permanently elating than to know that you are on the right road at last?"

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Asa Don Brown

"We haven't really gotten the credit for what we have done."

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Asa Don Brown

"She knew I could tell with one glance, one look, one simple instant. It was her eyes. Despite the thick makeup, they were still dark-rimmed., haunted, and sad. Most of all though, they were familiar. The fact that we were in front of hundreds of strangers changed nothing at all. I'd spent a summer with those same eyes-scared, lost, confused-staring back at me. I would have known them anywhere."

Explore more quotes by Mark Rydell

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Mark Rydell
"He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture."
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Mark Rydell
"Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege."
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Mark Rydell
"No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled."
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Mark Rydell
"There's evidence of a social decline in direct proportion to technology and the industrialization of the motion picture industry."
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Mark Rydell
"It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at."
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Mark Rydell
"It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand."
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Mark Rydell
"It's kind of interesting to be a director who is all of a sudden being an actor playing an agent. This is my whole world!"
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Mark Rydell
"Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different."
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Mark Rydell
"Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful."
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Mark Rydell
"It always amazed me that he was able to do it, and that Orson Welles was able to do it. I never understood it because the talents are absolutely opposite - polar opposites."
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