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Danny Elfman

"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."

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"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."

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Amber Hurdle

"I write for the same reason I breathe - because if I didn't, I would die."

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Amber Hurdle

"How well he's read, to reason against reading!"

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Amber Hurdle

"No emotion is, in itself, a judgement; in that sense all emotions and sentiments are alogical. but they can be reasonable or unreasonable as they conform to Reason or fail to conform. The heart never takes the place of the head: but it can, and should, obey it."

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Amber Hurdle

"It is useless to attempt to reason a man out of a thing he was never reasoned into."

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Amber Hurdle

"It is good to be solitary, for solitude is difficult; that something is difficult must be a reason the more for us to do it."

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Amber Hurdle

"But the single overwhelming reason why jails are bursting is longer sentences given for more crimes."

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Amber Hurdle

"If some things don't make you lose your sense of reason, then you have none to lose."

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Amber Hurdle

"Sometimes the road less traveled is less traveled for a reason."

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Amber Hurdle

"Warner Bros offered me the next Batman, and the only reason that I didn't do it was because of The Saint."

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Amber Hurdle

"The only reason to invest in the market is because you think you know something others don't."

Explore more quotes by Danny Elfman

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Danny Elfman
"It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am."
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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
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Danny Elfman
"I like creating these rhythmic patterns. These interlocking rhythmic things are really fun."
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Danny Elfman
"Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction."
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Danny Elfman
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
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Danny Elfman
"In Tim's films, more than most, if you miss the tone, you don't get the film."
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Danny Elfman
"There's kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don't know exactly what that is. So, it's hard for me to answer that question."
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Danny Elfman
"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."
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Danny Elfman
"So I've learned in the past, if a company approaches me and they want something like this, or something like that that I've done and I turn them down, they're going to do it anyhow."
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Danny Elfman
"I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer."
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