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Danny Elfman

"It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it wants to do."

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"It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it wants to do."

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Amber Hurdle

"I'm not afraid of failing. I don't like to fail. I hate to fail. But I'm not afraid of it."

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Amber Hurdle

"I never keep a scorecard or the batting averages. I hate statistics. What I got to know, I keep in my head."

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Amber Hurdle

"I hate the way chorus boxes sound."

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Amber Hurdle

"I've had many nicknames over the years: V, Nessa, Nessy Poo, Nessy Bear and Van. Only my parents call me Van, though, and I hate it. I get embarrassed."

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Amber Hurdle

"I hate a man who always says "yes" to me. When I say "no" I like a man who also says "no.""

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Amber Hurdle

"I like a man who's good, but not too good - for the good die young, and I hate a dead one."

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Amber Hurdle

"I was trying to be very at ease in this arrogant person, and very worldly, but something human came into the part. I hate to say that. I wanted to be totally worldly."

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Amber Hurdle

"I'm learning to play by the rules. I sort of hate to think of it that way, but that's how it is. I'm really learning to function out there and in such a way that I don't need to drink."

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Amber Hurdle

"Always remember that others may hate you but those who hate you don't win unless you hate them. And then you destroy yourself."

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Amber Hurdle

"I hate that word dysfunction."

Explore more quotes by Danny Elfman

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Danny Elfman
"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."
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Danny Elfman
"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
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Danny Elfman
"I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often."
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Danny Elfman
"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."
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Danny Elfman
"I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music."
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Danny Elfman
"Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call."
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Danny Elfman
"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
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Danny Elfman
"Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction."
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Danny Elfman
"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."
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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
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