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"It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it wants to do."
Hate,
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"We do not hate as long as we still attach a lesser value, but only when we attach an equal or a greater value."
Author Name
Personal Development
"Those who hate you don't win unless you hate them, and then you destroy yourself."
Author Name
Personal Development
"I hate a word like "pets": it sounds so much Like something with no living of its own."
Author Name
Personal Development
"That's why I hate to get started in these jam sessions. I'm always the last one to leave."
Author Name
Personal Development
"In a world filled with hate, prejudice, and protest, I find that I too am filled with hate, prejudice, and protest."
Author Name
Personal Development
"I hate the irreverent rabble and keep them far from me."
Author Name
Personal Development
"To be a real philosopher all that is necessary is to hate some one else's type of thinking."
Author Name
Personal Development
"He whom all hate all wish to see destroyed."
Author Name
Personal Development
"Remember, always give your best. Never get discouraged. Never be petty. Always remember, others may hate you. But those who hate you don't win unless you hate them. And then you destroy yourself."
Author Name
Personal Development
"Life sometimes confuses us by making us discover in someone we hate a quality or qualities we love."
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Personal Development
More
"I don't see myself necessarily having a burning desire to write a symphony."
Desire
"In Tim's films, more than most, if you miss the tone, you don't get the film."
Film
"You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff."
Right
"I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging."
Work
"Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call."
Music
"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."
Dance
"I'll just start laying out the melody exactly where I want it to fall. And then I'll go back and fill it out. Whereas, in other pieces I'm really just going a couple bars at a time."
Time
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
Action
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
Beauty
"I like creating these rhythmic patterns. These interlocking rhythmic things are really fun."
Fun
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