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"It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it wants to do."
Hate,
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"We do not hate as long as we still attach a lesser value, but only when we attach an equal or a greater value."
"Hate does that. Burns off everything but itself, so whatever your grievance is, your face looks just like your enemy's."
"Remember, always give your best. Never get discouraged. Never be petty. Always remember, others may hate you. But those who hate you don't win unless you hate them. And then you destroy yourself."
"The correlative to loving our neighbors as ourselves is hating ourselves as we hate our neighbors."
"People say hate is like a poison - but they're wrong. It's like a drug. You never forget your first hit, how it seduces you with its strength and power, and takes you completely by storm. It colors your world in light and meaning, until you wonder how you ever managed to get by without it. And then, eventually, you get to a point where you can't. It takes over your life, until hating becomes your reason for living."
Explore more quotes by Danny Elfman
"Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call."
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
"You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier."
"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
"In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here."
"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."
"Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction."
"It's just hard. I wish the studios felt there was more value in these themes and these pieces of material - that they're worth protecting more. Because then it just wouldn't happen. If the studios cared, the stuff would be stopped in a second."
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