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"Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment."
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"When bored of sitting, move! When bored of moving, sit! Balance your life or there will remain neither moving nor sitting in your life but only falling!"

"We live here for five to fifty years (in this world, in the relative) and we are searching for beautiful houses there, while where we have to live permanently (moksha; in the Real, Self), there is no work being done for it; and no one is even inquiring about that (place). The world is baseless/disorderly. 'Do something for here and do something for there'. We are not saying not to do anything for here. Do both. Don't you have two hands?"

"Profit is vitamin of the body and loss is vitamin of the Soul [The Self]. So where is a loss anywhere?"

"It is called equanimity when one has no attachment with the good (the auspicious) and no abhorrence for the bad (the inauspicious). The one without duality is in equanimity-state. In worldly interactions, people identify tolerance as equanimity!"

"In light, there is no darkness; and in darkness, there is no light."
Explore more quotes by Lynn Abbey

"It's possible to become so comfortable with one's style and structure that one ceases to grow."

"A good short-story writer has an instinct for sketching in just enough background to ground the specific story."

"Once you've invested hundreds of hours in creating a coherent universe, your story's grown to around a half-million words and can't be written as anything less than a trilogy."

"It took me about 12 years to reach my million-word mark. The challenge now is to continue to challenge myself."

"I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium."

"I'm not constrained by being a genre writer. Any story I can imagine, I can cast as a fantasy novel and probably get it published."

"I'm one of those writers who, when writing, believes she's god-and that she hasn't bestowed free will on any of her characters. In that sense there are no surprises in any of my books."

"I think my prose reads as if English were my second language. By the time I get to the end of a paragraph, I'm dodging bullets and gasping for breath."
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