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"There were in the camp a number of Mexican slaves and these ran forth calling out in spanish and were brained or shot and one of the Delawares emerged from the smoke with a naked infant dangling in each hand and squatted at a ring of midden stones and swung them by the heels each in turn and bashed their heads against the stones so that the brains burst forth through the fontanel in a bloody spew and humans on fire came shrieking forth like berserkers and the riders hacked them down with their enormous knives and a young woman ran up and embraced the bloodied forefeet of Glanton's warhorse."

"The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself."

"The becoming of man is the history of the exhaustion of his possibilities."

"We have a few old mouth-to-mouth tales; we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable."

"The worst thing that colonialism did was to cloud our view of our past."
Explore more quotes by Robert Smithson


"Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future."


"Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits."


"I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation."


"Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art ."
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