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Richard Curtis

"The real effect of the WTC calamity has been depressed spirits, anxiety, and uncertainty among publishers, and of course those emotions are not restricted to publishers."

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"The real effect of the WTC calamity has been depressed spirits, anxiety, and uncertainty among publishers, and of course those emotions are not restricted to publishers."

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Amber Hurdle

"We now open our mail with gloves and mask, though I can't imagine why anyone would target a literary agency!"

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Amber Hurdle

"The biggest threat to authors in this age is not plagiarism or poverty, it's obscurity."

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Amber Hurdle

"Because it is so scatterbrained and has absolutely no charts and graphs, I'm actually quite surprised the Bible sells."

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Amber Hurdle

"New York was packed with writers, real writers, because there were magazines, real magazines, loads of them. This was back when the Internet was still some exotic pet kept in the corner of the publishing world-throw some kibble at it, watch it dance on its little leash, oh quite cute, it definitely won't kill us in the night."

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Amber Hurdle

"The best source for finding an agent is called Literary Agents of North America. It's a complete list of agents, not only by name and address, but by type of book they represent and by what their submission criteria are."

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Amber Hurdle

"I lived through a classic publishing story. My editor was fired a month before the book came out. The editor who took it over already had a full plate. It was never advertised. We didn't get reviewed in any major outlets."

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Amber Hurdle

"The breadth of the potential readership is also a factor."

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Amber Hurdle

"There is a marvelous peace in not publishing. It's peaceful. Still. Publishing is a terrible invasion of my privacy."

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Amber Hurdle

"I was publishing when I was 20, 21. And it really never stopped."

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Amber Hurdle

"Publishers like a good buzz, and negative responses sell books just as well as positive ones."

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Richard Curtis
"Laboratories can reduce risk by implementing a proven and internationally accepted quality assurance technology that is applicable across the globe."
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Richard Curtis
"It's always a mistake for writers to key their submissions to world events, because they move so quickly and unpredictably, as has certainly proven the case in Afghanistan."
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Richard Curtis
"We now open our mail with gloves and mask, though I can't imagine why anyone would target a literary agency!"
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Richard Curtis
"I do send out information about my books. Very few people buy the books that way, but I always feel that if they want to know more about the process, they can get the information from my books."
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Richard Curtis
"I have no problem selling books to media franchises and we do it all the time. The author must understand that he/she is a writer for hire and has no control over copyright or over editorial changes made to the text."
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Richard Curtis
"We are taking a business-as-usual position at my agency, though business before 9/11 wasn't that hot either!"
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Richard Curtis
"We are forced by the major publishers to include electronic rights in the contracts we make with publishers for new books. And there's very little we can do about that."
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Richard Curtis
"Again, we turn down most books that have been self-published unless they have a special track record. We have taken a small number on, however, and sold them to major publishers for a nice sum. But that is an exception to the rule."
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Richard Curtis
"I tend to turn down books originally published as e-books. As for selling books directly to e-book publishers, I would do so only if all traditional publishers had turned them down."
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Richard Curtis
"You have to remember that in addition to running a literary agency, I am also an ebook publisher."
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