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Exlpore more Poetry quotes
"Poetry is a sword of lightning, ever unsheathed, which consumes the scabbard that would contain it."
"Women do not have as great a need for poetry because their own essence is poetry."
"Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet."
"There is no Frigate like a book to take us lands away nor any coursers like a page of prancing Poetry."
"Will the veiled sister pray for Those who walk in darkness, who chose thee and oppose thee, Those who are torn on the horn between season and season, time and time, between Hour and hour, word and word, power and power, those who wait In darkness? Will the veiled sister pray For children at the gate Who will not go away and cannot pray: Pray for those who chose and oppose."
"Death, like a host, comes smiling to the door;Smiling, he greets us, on that tranquil shoreWhere neither piping bird nor peeping dawnDisturbs the eternal sleep,But in the stillness far withdrawnOur dreamless rest for evermore we keep."
Explore more quotes by Richard Serra
"I think this, I think basically I'm not interested in people following my work or making work like my work."
"If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day."
"Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease."
"But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be."
"But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play."
"Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it."
"I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer."
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