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"Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: "I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going."
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"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"

"You can't fake creativity, competence, or sexual arousal."

"I'll be blasted', he said, 'if I ever write another word, or try to write another word, to please Nick Greene or the Muse. Bad, good, or indifferent, I'll write, from this day forward, to please myself."

"The monotony and solitude of a quiet life stimulates the creative mind."

"For me poetry is an evasion of the real job of writing prose."

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness."

"Anyone who knew Violet well could tell she was thinking hard, because her long hair was tied up in a ribbon to keep it out of her eyes. Violet had a real knack for inventing and building strange devices, so her brain was often filled with images of pulleys, levers, and gears, and she never wanted to be distracted by something as trivial as her hair."

"I always said you have to be really smart or really dumb to play this game well. I just don't know where I fit in."

"At eight, he had once told his mother that he wanted to paint air."

"My brain has become my enemy. We fight over creation and his need for sleep."
Explore more quotes by Virginia Woolf


"No doubt we should be, on the whole, much worse off than we are without our astonishing gift for illusion."


"To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions-there we have none."


"I'll be blasted', he said, 'if I ever write another word, or try to write another word, to please Nick Greene or the Muse. Bad, good, or indifferent, I'll write, from this day forward, to please myself."


"She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly's wing lying upon the arches of a cathedral."


"Now that one was mature then, said Peter, one could watch, one could understand, and one did not lose the power of feeling, he said. No, that is true, said Sally. She felt more deeply, more passionately, every year. It increased, he said, alas, perhaps, but one should be glad of it- it went on increasing in his experience."


"You cannot, it seems, let children run about the streets. People who have seen them running wild in Russia say that the sight is not a pleasant one."


"What was she dreaming about, Mrs. Ramsay wondered, seeing her engrossed, as she stood there, with some thought of her own, so that she had to repeat the message twice", ask Mildred if Andrew, Miss Doyle, and Mr. Rayley have come back?" The words seemed to be dropped into a well, where, if the waters were clear, they were also so extraordinarily distorting that, even as they descended, one saw them twisting about to make Heaven knows what pattern on the floor of the child's mind."


"Indeed there has never been any explanation of the ebb and flow in our veins-of happiness and unhappiness."


"But Time, unfortunately, though it makes animals and vegetables bloom and fade with amazing punctuality, has no such simple effect upon the mind of man. The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second."
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