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Leo Ornstein

"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

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"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

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"If matters go badly now, they will not always be so."

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"Do not postpone your problems, solve them now! Because tomorrow you might be weaker than today and there might arise additional problems! Unsheathe your sword now; forget tomorrow, time is now!"

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"I knew Slash in high school, but not very well. Just knew him as this kid that used to hang out in the hallway. Pretty much looked then the way he does now."

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"It means that the silver coins of the United States at whatever ratio is fixed, and I want the present ratio that we have now, 16 to 1, maintained precisely as it is."

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"The Bermuda Triangle got tired of warm weather. It moved to Alaska. Now Santa Claus is missing."

Explore more quotes by Leo Ornstein

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Leo Ornstein
"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."
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Leo Ornstein
"I distrust anything that you don't hear."
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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."
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Leo Ornstein
"Of all the arts, music is really the most abstract."
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Leo Ornstein
"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."
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Leo Ornstein
"Hopefully, I have a certain amount of what you call musical talent."
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Leo Ornstein
"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."
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Leo Ornstein
"To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision."
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Leo Ornstein
"When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there."
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Leo Ornstein
"I think there have been some periods when the writing almost became a bit of a burden."
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