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"But these people _announced_ their madness . . . they flaunted their insanity, they weren't half mad and half not, curled around a door frame. They were properly mad in the Shakespearean sense, talking sense when you least expected it."
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"Shakespeare shook his head and sunk his chin into his ruff, making him look more owl-like than ever. "I have written about other worlds often enough. I have said what I can say. There are many kinds of reality. This is but one kind."
"I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr."
"This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job."
"Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination, and of the heart."
"To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention."
"A book is as private and consensual as sex."
"Books-they weren't ladders out of the abyss, but they were companions."
"And all who told it added something new And all who heard it made enlargements too."
"The use of imaginative fiction is to deepen your understanding of your world, and your fellow men, and your own feelings, and your destiny."
Explore more quotes by Zadie Smith
"Now, how do the young prepare to meet the old? The same way the old prepare to meet the young: with a little condescension; with low expectation of the other's rationality; with the knowledge that the other will find what they say hard to understand, that it will go beyond them (not so much over the head as between the legs); and with the feeling that they must arrive with something the other will like, something suitable."
"Four months in the life of a seventeen-year-old is the stuff of swings and roundabouts, ... Never again in your life do you possess the capacity for such total personality overhaul."
"They were real people who entertained and argued and existed entirely independently from him, although he had set the thing in motion. They had different thoughts and beliefs. ~ on children growing up."
"It's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe."
"Tell the truth through whichever veil comes to hand but tell it. Resign yourself to the lifelong sadness that comes from never being satisfied."
"By Allah, how _thankful_ he is (_yes, madam, one moment, madam_), how _gladdened_ by the thought that Magid, Magid at least, will, in a matter of four hours, be flying east from this place and its demands, its constant cravings, this place where there exists neither patience nor pity, where the people want what they want _now_, right now (_We've been waiting twenty minutes for the vegetables_), expecting their lovers, their children, their friends, and even their gods to arrive at little cost and in little time, just as table ten expect their tandoori prawns. . . ."
"I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame."
"But singing isn't just about belting it out, is it? It's not just who has the most wobble or the highest note, no, it's about phrasing, and being delicate, and getting just the right feeling from a song, the soul of it, so that something real happens inside you when a man opens his mouth to sing, and don't you want to feel something real rather than just having your poor earholes bashed in?"
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