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Robert Creeley

"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."

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"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."

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Amber Hurdle

"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"

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Amber Hurdle

"For me poetry is an evasion of the real job of writing prose."

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Amber Hurdle

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness."

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Amber Hurdle

"At eight, he had once told his mother that he wanted to paint air."

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Amber Hurdle

"My brain has become my enemy. We fight over creation and his need for sleep."

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Amber Hurdle

"Creativity is the residue of time wasted."

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Amber Hurdle

"I do not attachany exaggerated importance to my poetical works. Life isthere to be lived rather than to be written about. My aimis to search out the manifold experience that it offers,wringing from each moment what of emotion it presents.I look upon my writing as a graceful accomplishmentwhich does not absorb but rather adds pleasure toexistence. And as for posterity-damn posterity."

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Amber Hurdle

"I have spent a good many years since-too many, I think-being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all."

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Amber Hurdle

"He kept seeing the brains dribbling down the wallpaper. It wasn't the killing that stayed on his mind, it was the spilled talent. A lifetime of honing and shaping torn apart in less than a second. All those stories, all those images, and what came out looked like so much oatmeal. What was the point?"

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Amber Hurdle

"When you aren't satisfied with what has already been done, make something better. That is the greatest responsibility and the true freedom of creativity. The freedom is in that it doesn't need to complain."

Explore more quotes by Robert Creeley

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Robert Creeley
"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."
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Robert Creeley
"It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case."
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Robert Creeley
"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."
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Robert Creeley
"Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!"
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Robert Creeley
"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."
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Robert Creeley
"And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it."
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Robert Creeley
"The pattern of the narrative never of necessity wants to end, it never has to."
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Robert Creeley
"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."
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Robert Creeley
"That poetry survived in its formal agencies finally, and that prose survived to get something said."
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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."
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