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Rod Steiger

"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."

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"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."

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Rod Steiger
"That's not a villain, that's a man whose a victim of being in love with the wrong one."
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Rod Steiger
"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."
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Rod Steiger
"I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was."
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Rod Steiger
"I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that."
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Rod Steiger
"I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something."
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Rod Steiger
"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."
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Rod Steiger
"I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'"
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Rod Steiger
"Is this a proposal? I'm married now, you know."
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Rod Steiger
"I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling."
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Rod Steiger
"Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself."

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Aberjhani

"Nothing that you have not given away will ever be really yours."

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"Why should I go into details, we have nothing that is not perishable except what our hearts and our intellects endows us with."

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"Nothing is so good as it seems beforehand."

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Aberjhani

"There is nothing either good or bad but thinking makes it so."

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"As it is the characteristic of great wits to say much in few words, so small wits seem to have the gift of speaking much and saying nothing."

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"Since philosophy now criticizes everything it comes across, a critique of philosophy would be nothing less than a just reprisal."

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"Nothing proves that we are more than nothing."

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"There is nothing so difficult to marry as a large nose."

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"There is nothing so terrible as activity without insight."

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"Families in which nothing is ever discussed usually have a lot not to discuss."

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