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Rod Steiger

"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."

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"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."

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Donna Grant

"Nothing that you have not given away will ever be really yours."

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Personal Development

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Donna Grant

"As it is the characteristic of great wits to say much in few words, so small wits seem to have the gift of speaking much and saying nothing."

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Personal Development

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Donna Grant

"Since philosophy now criticizes everything it comes across, a critique of philosophy would be nothing less than a just reprisal."

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Personal Development

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Donna Grant

"There is nothing so difficult to marry as a large nose."

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Donna Grant

"Even if you have nothing to write, write and say so."

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Donna Grant

"Nothing endures but personal qualities."

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Donna Grant

"There is nothing more imprudent than excessive prudence."

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Donna Grant

"Nothing is so unbelievable that oratory cannot make it acceptable."

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Donna Grant

"Nothing is so common-place as to wish to be remarkable."

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Donna Grant

"Nothing like a little judicious levity."

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Rod Steiger
"I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'"

Kiss

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Rod Steiger
"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."

Deep

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Rod Steiger
"I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling."

Character

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Rod Steiger
"I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody."

Actor

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Rod Steiger
"I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something."

Death

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Rod Steiger
"If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?"

Life

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Rod Steiger
"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."

Nothing

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Rod Steiger
"I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was."

Time

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Rod Steiger
"I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that."

Actor

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Rod Steiger
"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."

Mistake

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