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Robert Fitzgerald

"In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?"

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"In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?"

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Assegid Habtewold

"Most everyone now personally knows someone who is openly homosexual."

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"I am now seventy, rather glad, really, that I won't live to see the horrors to come in the 21st century."

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"Students now arrive at the university ignorant and cynical about our political heritage, lacking the wherewithal to be either inspired by it or seriously critical of it."

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"One hundred and ten years from now no one who is here now will be alive."

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Assegid Habtewold

"There's a part of me that wishes I'd never said one single solitary word on any subject publicly. Then I could have been the tortured poet, and there's so much mileage in that. But it's too late to stop now."

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Assegid Habtewold

"For instance, it's a little better now than it was two or three years ago, but something like 70% of the poems I receive seem to be written in the present indicative."

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Assegid Habtewold

"If you have tears, prepare to shed them now."

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Assegid Habtewold

"I take responsibility for myself and what I do now."

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Assegid Habtewold

"I was probably just trying to be Dennis Miller, but without the vocabulary to actually be Dennis Miller. I guess I was just less interesting than I am now, if I am interesting at all."

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Assegid Habtewold

"I don't like directors that just say, Stand there and now do this."

Now,

Explore more quotes by Robert Fitzgerald

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Robert Fitzgerald
"There must of course be a relationship between translating and making poems of your own, but what it is I just don't know."
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Robert Fitzgerald
"I think it was lucky that during most of the work on the Odyssey I lived on Homer's sea in houses that were, in one case, shaken by the impact of the Mediterranean winter storms on the rocks below."
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Robert Fitzgerald
"Well, maybe so, although I don't think I am particularly gifted in languages. In fact, oddly enough, it may have something to do with my being slow at languages."
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Robert Fitzgerald
"Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way."
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Robert Fitzgerald
"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."
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Robert Fitzgerald
"Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce."
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Robert Fitzgerald
"Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible."
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Robert Fitzgerald
"In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary."
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Robert Fitzgerald
"Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear."
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Robert Fitzgerald
"Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect."
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