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"Contradiction was something I really like when it is embraced in that kind of philosophy."
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"Even the respectable have a small anarchist hidden on the inside."

"Did everyone make the most ghastly blunders at regularly intervals through their life and live to regret them ever afterward? Was everyone's life filled with confusing and contradictory mix of guilt and innocence, hatred and love, concern and unconcern, and any number of other pairings of polar opposites? Or were most people one thing or the other - good or bad, cheerful or crotchety, generous or miserly, and so on."

"Isn't it a shame that some people's 'weaknesses' can be so strong."

"Man thrives where angels would die of ecstasy and where pigs would die of disgust."

"I know a man who drives 600 yards to work. I know a woman who gets in her car to go a quarter of a mile to a college gymnasium to walk on a treadmill, then complains passionately about the difficulty of finding a parking space. When I asked her once why she didn't walk to the gym and do five minutes less on the treadmill, she looked at me as if I were being willfully provocative. 'Because I have a program for the treadmill,' she explained. 'It records my distance and speed, and I can adjust it for degree of difficulty.' It hadn't occurred to me how thoughtlessly deficient nature is in this regard."

"Contradiction was something I really like when it is embraced in that kind of philosophy."
Explore more quotes by Jim Jarmusch

"I didn't get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they'd given me a scholarship, the Louis B Mayer fellowship and they made a mistake."

"I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema."

"I think it comes from really liking literary forms. Poetry is very beautiful, but the space on the page can be as affecting as where the text is. Like when Miles Davis doesn't play, it has a poignancy to it."

"If you go into a bar in most places in America and even say the word poetry, you'll probably get beaten up. But poetry is a really strong, beautiful form to me, and a lot of innovation in language comes from poetry."

"It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things."

"I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again."

"I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there."

"Before she married my father, my mother was a film reviewer for The Akron Beacon Journal - a small newspaper."

"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

"I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It's always a real collaboration for me."
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