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"Contradiction was something I really like when it is embraced in that kind of philosophy."
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"Isn't it a shame that some people's 'weaknesses' can be so strong."

"Man thrives where angels would die of ecstasy and where pigs would die of disgust."

"I know a man who drives 600 yards to work. I know a woman who gets in her car to go a quarter of a mile to a college gymnasium to walk on a treadmill, then complains passionately about the difficulty of finding a parking space. When I asked her once why she didn't walk to the gym and do five minutes less on the treadmill, she looked at me as if I were being willfully provocative. 'Because I have a program for the treadmill,' she explained. 'It records my distance and speed, and I can adjust it for degree of difficulty.' It hadn't occurred to me how thoughtlessly deficient nature is in this regard."

"Did everyone make the most ghastly blunders at regularly intervals through their life and live to regret them ever afterward? Was everyone's life filled with confusing and contradictory mix of guilt and innocence, hatred and love, concern and unconcern, and any number of other pairings of polar opposites? Or were most people one thing or the other - good or bad, cheerful or crotchety, generous or miserly, and so on."

"Even the respectable have a small anarchist hidden on the inside."

"Contradiction was something I really like when it is embraced in that kind of philosophy."
Explore more quotes by Jim Jarmusch

"I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting."

"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

"I think it comes from really liking literary forms. Poetry is very beautiful, but the space on the page can be as affecting as where the text is. Like when Miles Davis doesn't play, it has a poignancy to it."

"I love rehearsing because in rehearsals there are no mistakes, nothing is wrong, some things apply or lead you to focus on the character and the things that don't apply are equally valuable because they lead you to towards what does."

"I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are."

"I didn't go to classes there, but ended up at the Cinematheque, and there it opened up even wider because there I saw a variety of films from all over the world."

"Before she married my father, my mother was a film reviewer for The Akron Beacon Journal - a small newspaper."

"Hopefully, if not it's not working right. I'm like a navigator and I try to encourage our collaboration and find the best way that will produce fruit. I like fruit. I like cherries, I like bananas."

"I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It's always a real collaboration for me."

"It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things."
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