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Mark Morris

"We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything."

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"We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything."

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Amber Hurdle

"Always keep in mind how you can best use this time that you call life."

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"I'm proud of being part Cherokee, and I think it's time all us Indians felt the same way."

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Amber Hurdle

"Time is an illusion of life the life of the past and the future clouds men from the true life of the present."

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Amber Hurdle

"Words, words, words! They shut one off from the universe. Three quarters of the time one's never in contact with things, only with the beastly words that stand for them."

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"Dickens is a very underrated writer at the moment. Everyone in his time admired him but I think right now he's not spoken of enough."

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Amber Hurdle

"Do not waste your time on Social Questions. What is the matter with the poor is Poverty; what is the matter with the rich is Uselessness."

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Amber Hurdle

"When we disclaim praise, it is only showing our desire to be praised a second time."

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Amber Hurdle

"Eight years involved with the nuclear industry have taught me that when nothing can possible go wrong and every avenue has been covered, then is the time to buy a house on the next continent."

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"Praise is the mode of love which always has some element of joy in it."

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Amber Hurdle

"You can do and use the skills that you have. The schools need you. The teachers need you. Students and parents need you. They need your actual person: your physical personhood and your open minds and open ears and boundless compassion, sitting next to them, listening and nodding and asking questions for hours at a time."

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Mark Morris
"Usually that's going into biology in a certain way. There's certain strengths and weaknesses to both of the sexes. And I'm not against employing those nor am I against denying those, what I am looking for is a very large array of options."
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Mark Morris
"Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them."
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Mark Morris
"I love the way in which I make up dances. It's a complicated way and the product is usually clear. Clear and simple. I don't need everybody to know that there are all of these fabulous things going on. If you CAN see it, that's wonderful."
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Mark Morris
"Perhaps... I mean there are people who defend that it as an art. I don't. I like it but it's not an art form as far as I'm concerned, and yet it's a similar thing, once you can't land those jumps, you're disqualified - that precludes it from ever becoming a serious art form."
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Mark Morris
"I build duets into bigger works. I like to see people working together. What we call a giant solo in my company is about four bars long while twenty other people are doing something dynamically. I like the charge that is set up by a lot of people doing something."
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Mark Morris
"That piece has been choreographed so badly so many times. I'm loathe to do it but I may eventually because it is one of the seminal art works of the twentieth century."
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Mark Morris
"Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah."
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Mark Morris
"We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything."
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