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Ken Burns

"You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood."

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"You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood."

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Ken Burns
"I don't use composers. I research music the way I research the photographs or the facts in my scripts."
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Ken Burns
"I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on."
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Ken Burns
"I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it."
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Ken Burns
"By its very nature, no one person can ever be the center of jazz."
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Ken Burns
"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."
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Ken Burns
"I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities."
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Ken Burns
"You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood."
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Ken Burns
"You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time."
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Ken Burns
"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."
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Ken Burns
"The genius of our country is improvisation, and jazz reflects that. It's our great contribution to the arts."
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