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Mark Rydell

"It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses."

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"It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses."

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Akiroq Brost

"The Ancient Mariner would not have taken so well if it had been called The Old Sailor."

Old,
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Akiroq Brost

"In our heads we're all about 33 years old."

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Akiroq Brost

"You can always tell an old soldier by the inside of his holsters and cartridge boxes. The young ones carry pistols and cartridges; the old ones, grub."

Old,
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Akiroq Brost

"A new philosophy generally means in practice the praise of some old vice."

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Akiroq Brost

"It is only the modern that ever becomes old-fashioned."

Old,
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Akiroq Brost

"We are who we're going to be when we're very old, and when we're very old we are who we were when we were 8."

Old,
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Akiroq Brost

"I put a Phrygian cap on the old dictionary."

Old,
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Akiroq Brost

"Every old poem is sacred."

Old,
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Akiroq Brost

"Old foxes want no tutors."

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Akiroq Brost

"I was too old for a paper route, too young for Social Security and too tired for an affair."

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Mark Rydell
"He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him."
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Mark Rydell
"It's kind of interesting to be a director who is all of a sudden being an actor playing an agent. This is my whole world!"
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Mark Rydell
"There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized."
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Mark Rydell
"It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at."
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Mark Rydell
"He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture."
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Mark Rydell
"I long for the days when grosses were not even known. There was no weekend competition."
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Mark Rydell
"Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different."
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Mark Rydell
"Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful."
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Mark Rydell
"It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand."
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Mark Rydell
"No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled."
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