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Branford Marsalis

"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."

Standard 
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"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."

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Amber Hurdle

"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."

Author Name

Personal Development

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Amber Hurdle

"Labels don't mean anything to me. I'm trying to play as passionately as I'm able to. If they want to call that cool, that's fine. Just spell the name right, is the formula."

Author Name

Personal Development

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Amber Hurdle

"I think "Hero" is not a real martial arts movie; it is not about violence, or formula."

Author Name

Personal Development

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Amber Hurdle

"I hate Calvin and Hobbes. I think its a big re-hash of formula kid strips."

Author Name

Personal Development

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Amber Hurdle

"Having a set, popular formula does inhibit you."

Author Name

Personal Development

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Amber Hurdle

"It's not as if there's a noise problem, because they use the same circuits as Formula One."

Author Name

Personal Development

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Amber Hurdle

"They're getting me involved in intrigue again, and I think it follows a classic formula in a soap opera."

Author Name

Personal Development

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Amber Hurdle

"If I am given a formula, and I am ignorant of its meaning, it cannot teach me anything, but if I already know it what does the formula teach me?"

Author Name

Personal Development

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Amber Hurdle

"Under each formula lies a corpse."

Author Name

Personal Development

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Amber Hurdle

"I try not to do anything by formula."

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Personal Development

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Branford Marsalis
"One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else."

Instinct

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Branford Marsalis
"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."

Formula

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Branford Marsalis
"I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company."

Money

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Branford Marsalis
"I gave up my base in popular culture when I left the Tonight Show."

Culture

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Branford Marsalis
"If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?"

Sound

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Branford Marsalis
"I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?"

Artist

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Branford Marsalis
"When you're dealing with music without words, titles are more a means of identification than anything else. What's the point of getting lofty?"

Music

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Branford Marsalis
"Pop doesn't really look back. It can't. What makes pop work is simplicity."

Work

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Branford Marsalis
"The lion's share of what I hear right now are people who, intentional or accidental, have avoided all jazz prior to 1960. And all the musicians who were successful in the '60s spent their entire lives, prior to 1960, listening to all the musicians these people avoid."

People

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Branford Marsalis
"I'm not going to play funk licks on a jazz album. That makes no sense."

Jazz

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