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"Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final story."
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"It scares me how hard it is to remember life before you. I can't even make the comparisons anymore, because my memories of that time have all the depth of a photograph. It seems foolish to play games of better and worse. It's simply a matter of is and is no longer."
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Personal Development

"No doubt I would have felt reverent in less lovely places, because I imagined a past I connected to myself."
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Personal Development

"Beyond the pain, anger and unforgiveness, there is only one thing; love. This is where the magic happens."
Author Name
Personal Development

"You were a summer gift, one I'll always treasure. You were a dream I never wanted to wake up from. You opened my eyes to things I'll never really see. You're the best thing that will ever happen to me."
Author Name
Personal Development

"These scenes, by the way, are not altogether a literary device - a means of summing up and making a knot of innumerable little threads. Innumerable threads were there; still, if I stopped to disentangle, I could collect a number. But whatever the reason may be, I find that scene making is my natural way of marking the past."
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Personal Development

"'Tis the last rose of summer Left blooming alone; All her lovely companions Are faded and gone."
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Personal Development

"A good memory is one trained to forget the trivial."
Author Name
Personal Development

"...many a trip continues long after movement in time and space have ceased. I remember a man in Salinas who in his middle years traveled to Honolulu and back, and that journey continued for the rest of his life. We could watch him in his rocking chair on his front porch, his eyes squinted, half-closed, endlessly traveling to Honolulu."
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Personal Development

"If I never see you again I will always carry youinsideoutsideon my fingertipsand at brain edgesand in centerscentersof what I am ofwhat remains."
Author Name
Personal Development

"Taking a sip of the hot chocolate he'd made her, she met his gaze, those eerie eyes of endless black impenetrable, unreadable. "Max?" "Yes?""Will you remember me?"His heart broke into a thousand pieces. "Always."
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Personal Development
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"I want the reader to feel something is astonishing. Not the 'what happens,' but the way everything happens. These long short story fictions do that best, for me."
Want

"In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward."
Time

"In twenty years I've never had a day when I didn't have to think about someone else's needs. And this means the writing has to be fitted around it."
Work

"Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final story."
Memory

"The complexity of things - the things within things - just seems to be endless. I mean nothing is easy, nothing is simple."
Complexity

"The stories are not autobiographical, but they're personal in that way. I seem to know only the things that I've learned. Probably some things through observation, but what I feel I know surely is personal."
Personal

"The deep, personal material of the latter half of your life is your children. You can write about your parents when they're gone, but your children are still going to be here, and you're going to want them to come and visit you in the nursing home."
Home

"I can't play bridge. I don't play tennis. All those things that people learn, and I admire, there hasn't seemed time for. But what there is time for is looking out the window."
Time

"Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories."
People
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