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"Ian, man, I didna tell ye because I didna wish to lose you too. My brother was gone, and my father. I didna mean to lose my own heart's blood as well. For you are dearer to me even than home and family, love.'She cast a lopsided smile at Jamie. 'And that's saying quite a bit."
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"Children can see the beatitudes in nature."
Explore more quotes by Diana Gabaldon
"Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions."
"The law's a necessary evil--we canna be doing without it--but do ye not think it a poor substitute for conscience?"
"When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman."
"One dictum I had learned on the battlefields of France in a far distant war: You cannot save the world, but you might save the man in front of you, if you work fast enough."
"Sitting and waiting is one of the most miserable occupations known to man - not that it usually is known to men, women do it much more often."
"I heard you went to Ireland...I haven't seen it in many years. Is it still green then, and beautiful?Wet as a bath sponge and mud to the knees but, aye, it was green enough."
"Just as an effective advertisement or page layout includes a lot of white space, a powerful scene requires immense restraint. Show things as simply as possible."
"For so many years, for so long, I have been so many things, so many different men. But here," he said, so softly I could barely hear him, "here in the dark, with you I have no name."
"Watch a good movie sometime without reference to what's happening but only with attention to how it was photographed; you'll see the change of focus-zoom in, pan out, close-up on face, fade to black, open from above-easily. You want to do that in what you write; it's one of the things that keep people's eyes on the page, though they're almost never conscious of it."
"You forget the life you had before, after awhile. Things you cherish and hold dear are like pearls on a string. Cut the knot and they scatter across the floor, rolling into dark corners never to be found again. So you move on, and eventually you forget what the pearls even looked like. At least, you try."
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